The following paper aims to develop the theoretical and practical consequences, philosophical presuppositions, and intellectual aporias to which the reader of Rosi Braidotti is confronted in her approach of an ethics of becoming and the ethical relationships of a transposed or posthuman subject. We take for this purpose two almost marginal examples of her book Transpositions, namely, the human relationships developed with Tamagotchis and other technologies and the so-called “ethics of the penultimate cigarette” which is framed in the “transposition of (...) death.” Braidotti’s posture will be examined and criticized on the light of authors who have reflected, also almost marginally, on the same problems and their contextualization in contemporary and modern philosophy. We intend to show that the author’s claims presume to be schizophrenic and, indeed, she maintains an unfortunate schizophrenic proposal. (shrink)

The posthumanist project proposes directing the evolution of human beings by promoting their improvement through technological means to create a variety of entities that will have few or no common...