ArgumentLambert ten Kate (1674-1731), the scholar of language, religious writer, art theoretician and collector, and natural philosophy enthusiast, was part of an informal network of Amsterdam-based mathematics and natural philosophy enthusiasts who played a pivotal role in the early diffusion of Newton’s natural philosophical ideas in the Dutch Republic. Because Ten Kate contributed to several areas of research, it is worth asking whether connections can be found between his different scholarly activities and, more specifically, whether his oeuvre as a whole (...) was shaped by his religious views, as has been suggested. In this essay, I shall argue that his oeuvre was indeed shaped by his religious beliefs, which reflect elements typical of Dutchdoperdom, but also reflect a more general Christian orientation that transcends confessional divides. More particularly, I aim to show that, if we want to understand why Ten Kate was drawn to the natural philosophy of his day, and especially to Isaac Newton’s (1642-1727), and why he sought to promote it, we also need to pay attention to this broader Christian orientation in his thought. Along the way, I shall add nuance to earlier characterizations of how ten Kate mobilized Isaac Newton’s natural philosophy according to his own agenda. (shrink)

The practice of early modern natural history depended on the collective collecting activities of a great variety of people. Among them, artisans played a major role in acquiring and distributing knowledge about the natural world and they contributed significantly to the scholarly labour in natural history. This distributed labour was both acknowledged by contemporaries as well as hidden from sight, reflecting the period′s dominant norms for class and gender. By combining an interpretation of the visual representation of labour in European (...) insect studies with an examination of written sources about natural history practices from about 1680 to 1810, this article decodes the often‐codified frontispieces and other more symbolic illustrations to offer new insights into the labour of natural history. Those who identified as scholars and artisans (or both) conceptualised their own intellectual and practical engagement with natural history within the semantic field of work. Some seemed to have even envisioned a new social role for academics as well as artisans. This article analyses the diversity of the “productive forces” in insect studies as they changed over time and it reconstructs what I will call the social imaginaries of participation. (shrink)