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  1. Book Symposium on Don Ihde’s Expanding Hermeneutics: Visualism in Science: Northwestern University Press, 1998. [REVIEW]Jan Kyrre Berg Olsen Friis, Larry A. Hickman, Robert Rosenberger, Robert C. Scharff & Don Ihde - 2012 - Philosophy and Technology 25 (2):249-270.
    Book Symposium on Don Ihde’s Expanding Hermeneutics: Visualism in Science Content Type Journal Article Category Book Symposium Pages 1-22 DOI 10.1007/s13347-011-0060-5 Authors Jan Kyrre Berg Olsen Friis, University of Copenhagen, Nørre Farimagsgade 5 A, Room 10.0.27, 1014 Copenhagen, Denmark Larry A. Hickman, The Center for Dewey Studies, Southern Illinois University Carbondale, Carbondale, IL 62901, USA Robert Rosenberger, School of Public Policy, Georgia Institute of Technology, DM Smith Building, 685 Cherry Street, Atlanta, GA 30332-0345, USA Robert C. Scharff, University of New (...)
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  • Movements of discovery: the pragmatics of practice-based research. [REVIEW]Tom Paulus - 2013 - Foundations of Science 18 (1):179-183.
    This commentary to Vanhoutte and Wynants’s paper “Performing phenomenology: negotiating presence in intermedial theatre” tries to ascertain whether the dialectics between the real and the virtual in CREW’s artistic and technological experiments, which the authors call a ‘strategy,’ implies an a-priori relation that is hard to reconcile to the ethos of discovering through doing proposed by postphenomenological research, and to an ‘empirical turn’ based in case studies and descriptive concreteness suggested by a ‘pragmatic phenomenology.’ I propose that the shift from (...)
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  • From Doing to Performing Phenomenology: Implications and Possibilities. [REVIEW]Sigrid Merx - 2013 - Foundations of Science 18 (1):185-190.
    This commentary on Kurt Vanhoutte and Nele Wynants’s of ‘Performing phenomenology: negotiating presence in intermedial theatre’ focuses on the implications of staging phenomenological research. In my opinion the authors missed an opportunity to stress more what W (Double U) , a performance of CREW has to offer postphenomenology and what it actually means to ‘perform’ phenomenology. I will not only argue that W (Double U) because of its performative nature offers a reflection on postphenomenology, but also that the performance must (...)
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  • Dealing with the Ghost: Phantasmagorical Apparitions of Bertolt Brecht. [REVIEW]Kurt Vanhoutte & Nele Wynants - 2013 - Foundations of Science 18 (1):191-194.
    Taken together, the commentaries by Sigrid Merx and Tom Paulus suggest a remarkable dialectical relationship with regard to our article “Performing Phenomenology: Negotiating Presence in Intermedial Theatre”. On the one side a lack of elaborated political consciousness is being detected, while on the other side an alleged surplus of political consciousness is being criticized. Although apparently contradictory, these reactions seem to originate in the same ideological stress: both are somehow haunted by the legacy of Bertolt Brecht and the ideology of (...)
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