The study of subjective, first-person experience is a topic with both philosophical and practical implications. In this article, I discuss the value of collecting a critical mass of prose or verbal descriptions of introspectively determined, subjective effects of pharmacological agents. I suggest that datasets of introspective reports fit in the modern research landscape at the intersection of biomedical informatics and the emerging discipline of contemplative neuroscience. I compare the current proposal to Descriptive Experience Sampling, discuss relevant methodological and conceptual issues (...) in the study of introspection, and provide a list of questions for directing future investigation. (shrink)

In this paper, I make a consideration about the relationship between phenomenology and empirical sciences about conscious experience. Recently, it has been suggested by proponents of 'naturalized phenomenology' that phenomenology and cognitive sciences should exchange with each other. This proposal prompts us to abandon the 'puristic' conception of phenomenology, according to which phenomenology is independent from empirical sciences. I show that, though abandoning purism and exchanging with cognitive sciences is fruitful for phenomenology, proponents of naturalized phenomenology underemphasize an important feature (...) of phenomenology -- its autonomy of a certain kind. (shrink)

Nature relative to subjectivity is an under theorized area of performance philosophy, one that we ignore at our peril. There is such a thing as nature. It encompasses all that humans are not, and suffuses all that we are and do. It is not merely a social or cultural construction, as we consider in this essay. In order to speak more definitively of nature and the body, we employ the phenomenology of Paul Ricoeur and reach back to the lifeworld philosophy (...) of Edmund Husserl. Some read Husserl as an essentialist, but there are other readings, such as the one developed here. One of Ricoeur’s major works, Freedom and Nature: the Voluntary and the Involuntary, concerns motives and values at the organic level, studying how habits inform individual habitus and become embodied as nature in flux. Accordingly, this essay explores subjectivity, intentionality and nature in performance using examples from butoh relative to metamorphosis, a ubiquitous process in the rhythms and multi-tiered rhizomes of nature. Through Sartre and Ricoeur, the text also considers lived values of freedom relative to intention. In this light, readers are invited to explore their own porousness and evaporations via Freedom in Plasma, a butoh to do at the end of the essay. (shrink)