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  1. Empathy’s Role in Different Levels of Understanding Literature: Empirical and Philosophical Perspectives.Christiana Werner & Jana Lüdtke - 2021 - Journal of Aesthetics and Art Criticism 79 (2):239-244.
    There is a widespread intuition that readers’ empathy with fictional characters can help to understand certain works of literature. In a nutshell, the argument.
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  • (1 other version)The emotion potential of simple sentences: additive or interactive effects of nouns and adjectives?Jana Lüdtke & Arthur M. Jacobs - 2015 - Frontiers in Psychology 6:129121.
    The vast majority of studies on affective processes in reading focus on single words. The most robust finding is a processing advantage for positively valenced words, which has been replicated in the rare studies investigating effects of affective features of words during sentence or story comprehension. Here we were interested in how the different valences of words in a sentence influence its processing and supralexical affective evaluation. Using a sentence verification task we investigated how comprehension of simple declarative sentences containing (...)
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  • Differences between estimating protagonists’ emotions and evaluating readers’ emotions in narrative comprehension.Hidetsugu Komeda, Miho Kawasaki, Kohei Tsunemi & Takashi Kusumi - 2009 - Cognition and Emotion 23 (1):135-151.
    We examined the differences between estimating the emotions of protagonists and evaluating those of readers in narrative comprehension. Half of the participants read stories and rated the emotional states of the protagonists, while the other half of the participants rated their own emotional states while reading the stories. The results showed that reading comprehension was facilitated when highly extraverted participants read stories about, and rated the emotional experiences of, extraverted protagonists, with personalities similar to their own. However, the same facilitative (...)
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  • Explicit (Not Implicit) Attitudes Mediate the Focus of Attention During Sentence Processing.Oleksandr V. Horchak & Margarida Vaz Garrido - 2020 - Frontiers in Psychology 11.
    Many studies showed that comprehenders monitor changes in protagonists’ emotions and actions. This article reports two experiments that explored how focusing comprehenders’ attention on a particular property of the protagonist dimension affects the accessibility of information about target objects mentioned in the sentence. Furthermore, the present research examined whether participants’ attitudes toward the issues described in the sentence can modulate comprehension processes. To this end, we asked participants to read sentences about environmental issues that focused comprehenders’ attention on different mental (...)
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  • Infected by evil.James Harold - 2005 - Philosophical Explorations 8 (2):173 – 187.
    In this paper I argue that there is good reason to believe that we can be influenced by fictions in ways that matter morally, and some of the time we will be unaware that we have been so influenced. These arguments fall short of proving a clear causal link between fictions and specific changes in the audience, but they do reveal rather interesting and complex features of the moral psychology of fiction. In particular, they reveal that some Platonic worries about (...)
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  • Differences in continuity of force dynamics and emotional valence in sentences with causal and adversative connectives.Yurena Morera, Manuel De Vega & Juan Camacho - 2010 - Cognitive Linguistics 21 (3).
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  • The representation of characters' emotional responses: Do readers infer specific emotions?Pascal Gygax, Jane Oakhill & Alan Garnham - 2003 - Cognition and Emotion 17 (3):413-428.
    This paper argues that emotional inferences about characters in a text are not as specific as previously assumed.
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