The prevalent idea that semiosis is evolutionary is a driving point for biosemiotic research, starting from the Peircean premises of continuity and including a large number of views on how signs evolve. In this paper I wish to add a small pinch of skepticism to an otherwise productive point of view. Briefly, the question to be asked is: Is there any proper and fair connection between the logical abstraction of signs, genetic expressions interpreted as signs and the animal usage of (...) signs? And how do we go about answering this? Instead of attempting a negative account of the possibility of an evolutionary view of biosemiosis, I will attempt to make an argument in favor of skepticism as a way to make a more fine-grained distinction across the areas where biosemiotic thinking seems to have some impact. The aim is then to find philosophical strategies to overcome this skepticism when possible, while also raising some awareness about the possible limits of current biosemiotics regarding the ideal evolutionary chain of signs. Ultimately, the idea is reexamining some core assumptions of the biosemiotic point of view at its most general, accounting for some possible ways in which theory may move forward. The potential incompatibility of theoretical standpoints between some of the different approaches that may be taken is, it will be argued, a desirable outcome for biosemiotic research. That is, the way we deal with the possible theories on the evolutionary continuity of signs will also affect our different research programs, and having a nuanced philosophical discussion on it can only contribute to the expansion and clarification of where different positions within biosemiotics currently stand. (shrink)

This study aims at a better understanding of Peirce’s conception of a philosophy of history. Peirce has a well defined place for historiography in his classification of the sciences, but what he has to say about history as a philosopher is not primarily referring to it as a form of historiographic knowledge, but to history as a process and a medium. As a process, history is, fundamentally, a cooperative activity of man resulting in civilization and capable of varying categoriological degrees (...) of directionality that reflect the ‘agents’ knowledge’ of history incorporated in the communicative practices of their community. As a medium, history – in the light of the cosmogonic narrative of Peirce’s evolutionary metaphysics and of his mature conception of the summum bonum – is one of two forms of expression of the Absolute. Our paper studies the development of these conceptions from the Schellingian influences on “The Place of Our Age in the History of Civilization” (1863), to “Fixation of Belief” (1877) and “Evolutionary Love” (1892). Throughout this development, Peirce remains primordially interested in the philosophy of history as a mode of normatively conceiving of history (as a medium) in a way that enables us to pragmatically project our cultural development as a process in which an increasing control over our own history is actualized. (shrink)