The aim of this thesis is to increase our ontological understanding of musical works in two ways. We’ll increase our understanding of their categorial nature and we’ll increase our understanding of what the identity of each musical work consists in. In chapter 1, I introduce the basic question of the thesis: what are musical works? This question is broken down into four separate questions which guide the structure and argument of the thesis. One question asks if musical works exist, the (...) other asks about the ontological category to which musical works belong. In the first half of the thesis, I argue that musical works exist and that the best explanation of their features is given by assigning them to the category of universals. I argue for this conclusion by elaborating and defending a view according to which musical works are properties. I then show that this conception is superior to the strongest rivals. One rival takes musical works to be historical individuals (Rohrbaugh 2003). The other takes them to be actions of composition (Davies 2004). In chapter 6, I turn to two questions about identity. One question asks about the identity criteria for musical works, the other question asks for an explanation of musical work identity. In the remainder of chapter 6, I argue by reference to contextualist intuitions that a superficially appealing view, sonicism is problematic. The critique of sonicism is used to draw out certain contextualist assumptions that our ontology of music ought to explain. In chapter 7, I examine a family of Levinsonian contextualist proposals. I argue that the original formulations (Levinson 1980) give incorrect results, and that attempts to modify them (Davies, S: 2001) slip into obscurity, or undermine the aims of the project (Levinson 1992). I end chapter 7 by presenting the performance theory in a more flattering light. I argue that as a theory of musical work identity, the performance theory is the best on the market because it overcomes the problems associated with the Levinsonian views and deepens our understanding of contextualist intuitions. In chapter 8, I present an account of the ontology of music which integrates the property theory of category with the performance theory of identity by construing musical works as impure relational properties. I then defend the integrated account against various objections. In this defence, I elaborate a view of compositional actions as belonging to the ontological category of processes. (shrink)

The distinction between telic and atelic predicates has been described in terms of the algebraic properties of their meaning since the early days of model-theoretic semantics. This perspective was inspired by Aristotle’s discussion of types of actions that do or do not take time to be completed1 which was taken up and turned into a linguistic discussion of action-denoting predicates by Vendler (1957). The algebraic notion that seemed to be most conducive to express the Aristotelian distinction appeared to be the (...) mereological notion of a part, applied to the time at which these predicates hold: atelic predicates, like push a cart, have the subinterval property, that is, whenever they are true at a time interval, then they are true at any part of that interval; this does not hold for telic predicates, like eat an apple, cf. Bennett & Partee (1972), Taylor (1977), and Dowty (1979)2. Bach (1986) integrated these insights into a semantics based on events. (shrink)

Chomsky’s (1995, 2000a) Minimalist Program (MP) invites a perspective on semantics that is distinctive and attractive. In section one, I discuss a general idea that many theorists should find congenial: the spoken or signed languages that human children naturally acquire and use— henceforth, human languages—are biologically implemented procedures that generate expressions, whose meanings are recursively combinable instructions to build concepts that reflect a minimal interface between the Human Faculty of Language (HFL) and other cognitive systems. In sections two and three, (...) I develop this picture in the spirit of MP, in part by asking how much of the standard Frege-Tarski apparatus is needed in order to provide adequate and illuminating descriptions of the “concept assembly instructions” that human languages can generate. I’ll suggest that we can make do with relatively little, by treating all phrasal meanings as instructions to assemble number-neutral concepts that are monadic and conjunctive. But the goal is not to legislate what counts as minimal in semantics. Rather, by pursuing one line of Minimalist thought, I hope to show how such thinking can be fruitful. (shrink)

In English, [1e] occurs only in have got, but it is included here because of its importance in other languages. In Vedic Sanskrit and ancient Greek, for example, the perfect of many achievement predicates can be used to denote the result state. A good semantics of the perfect should therefore have something to say about it.

The essays presented in this collection were written over a long period. The first two : "On the Classification of Verbs and Actions" and "On von Wright's Theory of Action" constitute steps in my preparation for the book Events, Actions, and Ordinary Language, Lund 1977. Much of the contents of the former paper was carried over to the book, whereas the analyses in the latter paper were more or less completely left out. These papers have not been published before. "On (...) Various Forms of Interaction" is a development of soroe ideas in Events, Actions, and Ordinary Language. This paper was previously published in Swedish in Henschen-Dahlqvist A-M ed. Filosofiska smulor, Festskrift tillägnad Kon rad Marc- Wogau på hans 75-årsdag, Uppsala 1977. "Action- Explanations Reconsidered" was wri t ten in 1981 and has not been previously published. It is a short presentation of a basic idea in my dissertation Explanation of Human Actions, Uppsala 1974, as well as a commentary on sorne criticisrns that could be directed against it. "On Not Being Able To Act", finally, is a slightly modified version of a paper previously published in Pauli T. ed, Philosophical essays dedicated to Lennart Åqvist on his fiftieth birthday, Uppsala 1982. The analysis sketched in this paper has been more fully developed in my Disabilities and Their Classification, Linköping 1983. (shrink)

Argues that philosophy can solve the midlife crisis, at least in one of its forms. This crisis turns on the exhaustibility of our ends. The solution is to value ends that are ‘atelic,’ so inexhaustible. Topics include: John Stuart Mill's nervous breakdown; Aristotle on the finality of the highest good; and Schopenhauer on the futility of desire.

An account of the development of temporal understanding is proposed which links such understanding with the development of episodic memory. We distinguish between different ways of representing time in terms of the kinds of temporal frameworks they involve. Distinctions are made between frameworks that are perspectival or nonperspectival and those that represent recurrent sequences or particular times. Even primitive temporal understanding integrates both perspectival and nonperspectival components. However, since early frameworks are event-based and localized, they are not yet sufficient for (...) episodic memory in that they do not enable the child to think of events as having occurred at particular points in time. We describe the emergence of new kinds of frameworks in terms of the development of temporal decentering. Two levels of temporal decentering are distinguished, with the higher level involving an appreciation of how event representations depend on one's temporal perspective. (shrink)

ignate remote or historical past, the perfect being furthermore restricted to events not witnessed by the speaker.3 In the intervening stage of Vedic Sanskrit, the past tenses show a complex mix of temporal, aspectual, and discourse functions. On top of that, Rigvedic retains the injunctive, a chameleon-like category of underspecified finite verbs whose many uses partly overlap with those of the past tenses. The present study of the Rigvedic system is offered as a preliminary step towards the reconstruction and theoretical (...) interpretation of this aspect-to-tense trajectory. (shrink)