In the Indian philosophical debate, the relationship between the structure of knowledge and external reality has been a persistent issue. This debate has been particularly prominent in Buddhism, as evidenced by the earliest Buddhist attestations in the Pāli canon, where reality is described as a perceptual defection. The world (loka) is perceived through cognition (citta), and the theme of designation (paññatti) is central to the analysis of the Abhidhamma. Buddhism can be viewed as navigating between nominalism and cognitive normativism, as (...) it deconstructs language, which is seen as an obfuscating element that separates the subject from the world. In this article, we explore these issues through a philosophical dialogue between Early Buddhism, Abhidhamma, and Madhyamaka, utilizing methodological tools from Western philosophical traditions, both ancient and modern. We engage in a clash between nihilism and absolutism, in search of the substantiality of entities, which, behind the emptiness of conventional designations, conceals a complex fractal network of pansematism. (shrink)

Fragment B 1 of Parmenides describes a youth's journey to the house of a goddess who enlightens him as to the nature of all things. The task of translating Parmenides' Greek text is beset with many difficulties, most notably the phrase kata pant' atê at B 1.3. There, the neuter accusative plural panta ('all things') combines with the feminine nominative singular atê (heavenly sent blindness') to render translation impossible. Some have proposed emending the text to read a<s>tê ('down to all (...) cities'), understood in connection with the pathway of divine inspiration. Others reject the emendation in so far as the youth is said at B 1.27 to travel 'far from the beaten path of men.' I argue in defense of the reading kata pant' a<s>tê in so far as references to pathways of inspiration and poetic journeys to the cities of men occur frequently in the poetry of Parmenides' era. (shrink)

The extraordinary overall textual situation of Parmenides’ B1,1-3, due to complex, variegate and polymorphous causes, entailed and still entails diverse sorts of problematic issues so to constitute a true labyrinth of philological, hermeneutical and theoretical instances interwoven each other in almost inextricable way. In this analysis, a first substantial knot of philological type resulted necessary to a preliminary discrimination for making sure the textual reconstruction in order to argue then its most literarily clear and specifiable meaning. In this way it (...) was also possible to make sure its semantic and theoretical relevancies. This research leaded to outline and, hopefully, to demonstrate no textual corruption and following misunderstanding happened before sec. XIII, namely corresponding to the lecture present in the first available manuscript, the so-called cod. N, universally excluded and entirely misevaluated, even discarded; instead it is not only the principle, but the unique reliable codex. The detailed analyse including the autoptic exam is the result of enlightening the absolute goodness of this version and the reasons both philological and hermeneutical comparations, which allow to achieve its complete textual rehabilitation and so to grasp its real conceptual content. (shrink)

Resumen: El presente trabajo esbozará ciertos elementos para una interpretación global del proemio de Parménides, a partir del análisis de uno de sus elementos centrales: las doncellas hijas del sol. Tras examinar las acciones que éstas realizan dentro de la narración, y con el objetivo de defender una interpretación alegórica, se definirá la actividad alegórica arcaica mediante algunos ejemplos. Finalmente, se trazarán los cimientos para una revalorización crítica de la interpretación de sexto Empírico y se argumentará que la alegoría platónica (...) del carro alado como símbolo de la se halla motivada por la ambigüedad intrínseca del relato, ambigüedad que tiene por objeto mostrar la unidad real de los contrarios aparentes a través del símbolo de las doncellas hijas del sol.: This paper will outline several guiding principles concerning a comprehensive interpretation of Parmenides' proem through the analysis of one of its essential elements: the daughters of the Sun. After examining the actions they perform throughout the narrative and in order to defend an allegorical interpretation of them, some features of the archaic allegorical activity will be defined by the analysis of some examples. Finally, we will trace the foundations for a critical reappraisal of Sextus Empiricus' interpretation and we will argue that Plato's allegory of the "winged chariot" as a symbol of the ψυχή in the Phaedrus could well be closely recreating and evoking the Parmenidean myth of the proem. The hermeneutic disjunction may be motivated by the intrinsic ambiguity of the narration, an ambiguity intended to show the real unity of apparent opposites by using the symbol of the daughters of the Sun. (shrink)

This page is dedicated to an analysis of the first section of Parmenides' Poem, the Way of Truth, with a selection of critical judgments by the most important commentators and critics. In the Annotated Bibliography I list the main critical editions (from the first printed edition of 1573 to present days) and the translations in English, French, German, Italian and Spanish, with a selection of studies on Parmenides; in future, a section will be dedicated to an examination of some critical (...) variants of the Greek text, with particular attention to corrections to the Diels-Kranz (abbreviated DK) edition of the Fragmente der Vorsokratiker. The fragments of Parmenides' Poem are cited according to Diels-Kranz numbering system as adopted in the 6th edition, Berlin 1952; the Poem is divided into three parts: the Proem fr. I, 1-32; the Way of Truth (Alethéia) from fr. II to VIII, 49, and the Way of Mortal Opinion (Doxa) fr. VIII, 50 to XIX, 3. (shrink)