The article investigates the philosophical foundations and details of Mary Wollstonecraft's criticism of Jean-Jacques Rousseau's views on the education and nature of women. I argue that Wollstonecraft's criticism must not be understood as a constructionist critique of biological reductionism. The first section analyzes the differences between Wollstonecraft's and Rousseau's views on the possibility of a true civilization and shows how these differences connect to their respective conceptions of moral psychology. The section shows that Wollstonecraft's disagreement with Rousseau's views on women (...) was rooted in a broad scope of philosophical disagreement. The second section focuses on Rousseau's concept of nature, and I argue that Rousseau was neither a biological determinist nor a functionalist who denied that nature had any normative significance. The section ends with a discussion of Wollstonecraft's criticism of Rousseau's application of the distinction between the natural and the artificial. The third section focuses on Wollstonecraft's critique of Rousseau's claim that there are different standards for the perfectibility of men and women. The article concludes with a critical discussion of the claim that Aristotle would have provided Wollstonecraft with the philosophical tools she needed for her criticism of Rousseau. (shrink)

There is a familiar opposition between a ‘Scientific Revolution’ ethos and practice of experimentation, including experimentation on life, and a ‘vitalist’ reaction to this outlook. The former is often allied with different forms of mechanism – if all of Nature obeys mechanical laws, including living bodies, ‘iatromechanism’ should encounter no obstructions in investigating the particularities of animal-machines – or with more chimiatric theories of life and matter, as in the ‘Oxford Physiologists’. The latter reaction also comes in different, perhaps irreducibly (...) heterogeneous forms, ranging from metaphysical and ethical objections to the destruction of life, as in Margaret Cavendish, to more epistemological objections against the usage of instruments, the ‘anatomical’ outlook and experimentation, e.g. in Locke and Sydenham. But I will mainly focus on a third anti-interventionist argument, which I call ‘vitalist’ since it is often articulated in the writings of the so-called Montpellier Vitalists, including their medical articles for the Encyclopédie. The vitalist argument against experimentation on life is subtly different from the metaphysical, ethical and epistemological arguments, although at times it may borrow from any of them. It expresses a Hippocratic sensibility – understood as an artifact of early modernity, not as some atemporal trait of medical thought – in which Life resists the experimenter, or conversely, for the experimenter to grasp something about Life, it will have to be without torturing or radically intervening in it. I suggest that this view does not have to imply that Nature is something mysterious or sacred; nor does the vitalist have to attack experimentation on life in the name of some ‘vital force’ – which makes it less surprising to find a vivisectionist like Claude Bernard sounding so close to the vitalists. (shrink)

The anthropological sensibility has often been seen as growing out of opposition to Enlightenment universalism. Johann Gottfried Herder (1744-1803) is often cited as an ancestor of modern cultural relativism, in which cultures exist in the plural. This article argues that Herder’s anthropology, and anthropology generally, are more closely related to Enlightenment thought than is generally considered. Herder certainly attacks Enlightenment abstraction, the arrogance of its Eurocentric historical teleology, and argues the case for a proto-hermeneutical approach which emphasizes embeddedness, horizon, the (...) usefulness of prejudice. His suspicion of the ideology of progress and of associated theories of stadial development leads to a critique of cosmopolitanism and, particularly, of colonialism. But a comparison with a central Enlightenment figure like the natural historian Buffon (1708-88) reveals shared anthropological assumptions: human beings are characterized by the flexibility of their relationship to their environment, and by their ability to transmit and receive social knowledge. Herder’s critique of progress is thus an unstable one: culture [ Kultur] as the process through which humanity develops can also be called Enlightenment [ Aufklärung]. Herder’s definition of culture is much closer to a unitary Enlightenment model of civilization than is frequently suggested. Herder’s relativism is thus open to question: he holds on to certain universal criteria for transcultural judgements. This reassessment of Herder’s place in Enlightenment anthropology raises questions of contemporary relevance regarding cultural relativism on the one hand, and modernization and globalization on the other. (shrink)

This article takes as its starting point the commonplace that Rousseau’s Emile enabled his contemporaries to discover not only childhood but physical education. Focused on what the pedestal erected for Jean-Jacques somewhat overshadows, a brief historiographic overview and a survey of some major writings on education before Rousseau (by the Abbot Fleury, John Locke, Jean-Pierre de Crousaz and Charles Rollin) will show that the ideas defended by the writer were not innovative in the slightest. But also, and this seems far (...) more important, that these ideas took place in a particular context : the mid-eighteenth century dispute between pedagogues and physicians over the body of the child, which resulted as much from the medicalization of pedagogy as from the educationalization of medicine, at a time when the boundaries between disciplines had not yet been defined. In the context of the ascension to power of physicians, reinforced by the first statistics on child mortality, as will be suggested in conclusion, Rousseau’s advocacy for corporal education gave the initiative back to the pedagogues. (shrink)

The review identifies the components of H. M. Lloyd’s contextual intellectual reconstruction of Marquis de Sade’s philosophical system in the context of the Enlightenment. The fundamental importance of the Enlightenment discourse of sensibility, its influence on the theory of natural law and moral philosophy of the eighteenth century is established. The main stages of reconstruction of Sade’s “system” are demonstrated, namely: 1) philosophical context (ontology and epistemology) as a discourse of sensibility; 2) particularities of the “roman philosophique” as a genre; (...) 3) the moral philosophy of the era and the Sade's response to it; 4) Sade’s theories of corporeal sensibility and affective self-cultivation, that isits philosophical askesis; 5) understanding of Sade in the context of the development of contemporary philosophy. It is noted that such reconstruction problematizes of the formal and substantive components of philosophical discourse in the academic environment. (shrink)

This essay reconstructs the career of the 18th-cetnury Neapolitan publicist Giuseppe Maria Galanti, who championed the genre of anthropological geography in the Kingdom of Naples. Although little attention has been paid to Galanti by the English-language historiography, the person and work of the Neapolitan publicist has loomed large in Italian studies on the Enlightenment. In landmark Italian studies, Galanti has been hailed as a clear-sighted reformer committed to the improvement of socioeconomic conditions within the Kingdom. Likewise, the geographical literature he (...) wrote has been read not as such but rather in light of its program of socioeconomic reform. However important that same program was, undue emphasis upon it has conflated his empirical approach to political geography with a connotation of realism that fundamentally has obscured the place of Galanti's project in the history of anthropology and, in particular, the emergence of European ethnography. By reconstructing the career of Galanti, it is my hope to provide a privileged window on what motivated a precocious ethnographer of Europe to undertake the unusual and arduous project of visiting and describing the provinces of his kingdom, on why he chose to conceptualize the terrain of the Kingdom as an object of philosophical study, and on how he understood his vocation in relation to the alternatives available to him as a man of Enlightenment. While bearing in mind the political aims of Galanti's work, this essay will also return it to the context in which it was first conceived and piloted—namely the ethos, epistemology, and professional culture of the human sciences of the Enlightenment city of Naples, which, it can be said, smacked of a Rousseauian contempt for the “civilization” of the capital, for its learned professions, and for the cosmopolitan theories of Europe's most urbane philosophes. (shrink)

Rousseau preceded Sade: Rousseau (1712–1778) published most of his major works in two remarkably fecund years, 1761–17621; Sade (1740–1814) published most of his major texts between 1791 and 18012;...

ArgumentThe new English term “empathy” was translated from the GermanEinfühlungin the first decade of the twentieth century by the psychologists James Ward at the University of Cambridge and Edward B. Titchener at Cornell. At Titchener's American laboratory, “empathy” was not a matter of understanding other minds, but rather a projection of imagined bodily movements and accompanying feelings into an object, a meaning that drew from its rich nineteenth-century aesthetic heritage. This rendering of “empathy” borrowed kinaesthetic meanings from German sources, but (...) extended beyond a contemplation of the beautiful to include a variety of experimental stimuli and everyday objects in the laboratory. According to Titchener's structural psychology, all higher thought could be reduced to more elemental aspects of mind, and experimental introspection showed empathy to be constituted of kinaesthetic images. The existence of kinaesthetic images, Titchener argued, formed an incisive critique of the view that thought could take place without images, held by one of Titchener's major psychological rivals, the school of thought-psychologists in Würzburg, Germany. The new term “empathy” in early American academic psychology therefore delineated a kinaesthetic imaginative projection that took place on the basis of ontological difference between minds and things. (shrink)

This article explores how the pre-eminent public psychology of the French Revolution – sentimentalism – shaped the necessity, understanding and construction of its most iconic public machine. The guillotine provided a solution to the problem of public executions in an age of both sentiment and reason. It was designed to rationalize punishment and make it more humane; but it was also designed to guard against the psychological effects of older, more variable and unpredictable methods of public execution on a sentimental (...) public. That public, contemporaries argued, required executions performed by an unfailing technology. Rather than focus on the role of the guillotine after 1793, the article explores how the implacable mechanical action that helped produce the Reign of Terror and multiply the cadavers of medical science was demanded by the guillotine’s origins as a sentimental machine. (shrink)

The first decisive steps of medicine towards becoming a science in its present shape happen to coincide with “the rise of the novel” in the eighteenth century. Before this well known and in our days still growing scientific specialization of medicine, the connections between literature and medicine were both many and close. By reading and analyzing a contemporary novel, The Death of a Beekeeper by the Swedish author Lars Gustafsson (1978), this article is an attempt to explore to which extent (...) a fictional narrative about a unique case of cancer may illuminate challenges associated with the experience of serious illness. Our claim is that medicine might draw wisdom from literature, its ability to create connections through narrative, to illuminate the complexity of ethical dilemmas, and to intertwine symptoms, life stories, and contexts. We argue that by being in the company of literary narratives and philosophical questions, physicians as well as other health care professionals may acquire clinically relevant skills which help them reach the ethically defined goals of their profession. (shrink)

В огляді визначено складові контекстуальної інтелектуальної реконструкції філософсь-кої системи маркіза де Сада в контексті Просвітництва, здійсненої Г. М. Лойдом. Встанов-лено принципове значення просвітницького дискурсу чутливості, його вплив на теорію при-родного права й моральної філософії XVIII століття. Продемонстровано основні етапи ре-конструкції «системи» Сада, а саме: 1) філософський контекст як дискурс чутливості; 2) специфіка жанру філософського роману; 3) моральна філософія епохи та реакція Сада щодо неї; 4) теорія тілесної чутливості та теорія афективного само-розвитку Сада, тобто його філософський аскезис; 5) особливості розуміння Сада (...) в контексті розвитку сучасної філософії. Зазначено, що така реконструкція проблематизує формальні й змістовні складові філософського дискурсу в академічному середовищі. (shrink)

Two Greek myths attest to the power of music to blur distinctions between humans and nonhumans: Orpheus made music that inspired human-like attention in animals, trees, and stones, while the Sirens reduced passing sailors to the level of animals incapable of resisting their song. Recast in terms employed by Lacan, these myths portray music as calling forth a response in creatures thought merely able to react and, contrariwise, stripping away the capacity for response in humans, leaving nothing but reaction in (...) its place. Critiquing Lacan’s dogmatic distinction between human and animal behavior, Derrida questioned the “purity and indivisibility” of reaction and response and recommended that critics explore the involvement of both in “the whole differentiated field of experience and of a world of life-forms.” In this essay, I take up Derrida’s challenge with regard to music as it has been understood in the European aesthetic tradition. While music has long been considered capable of provoking highly refined cognitive and emotional responses, it also acts upon the body in a wide variety of ways, many of them involuntary – a fact that has struck music’s advocates as alternately promising and disturbing. Revisiting eighteenth- and nineteenth-century commentaries by the philosophers and critics Johann Georg Sulzer, Johann Gottfried Herder, and Eduard Hanslick, I first illuminate persistent anxieties over the admixture of reaction and response in musical listening. I then turn to recent ethological studies in order to argue against any decisive separation of the human from the nonhuman in the arena of musical aesthetics. (shrink)