In this paper I investigate the relation between physics and metaphysics in Plato’s participation theory. I show that the logic shoring up Plato’s metaphysics in paraconsistent, as had been suggested already by Graham Priest. The transformation of the paradoxical One-and-Many of the pre-Socratics into a paraconsistent Great-and-Small bridges the abyss between archaic rationality and the world of classical logic based ultimately on the principle of contradiction. Indeed, language is an organ of perception, not simply a means of communication. J. Jaynes, (...) Origin of Consciousness. (shrink)

This paper proposes a new conjecture for Solon fr. 12 G.-P.2. In this, as in other poems, Solon shows a clear desire to present himself as an expert in the political milieu and to serve as a guide for the community of Athens. The politician’s penetrating gaze, his far-sighted νόος, is able to grasp in nuce the development of political dynamics which, if they prevail, could mean the ruin of the city as a whole. Solon frames his νόος as an (...) indispensable tool for the analysis of the city and its optimal and timely planning. To a secular conception of the νόος, which is the essential characteristic of the excellent politician, is added a traditional one that considers the νόος as a gift of Apollo. In this way, Solon appears as a politically engaged poet of the πόλις who mediates between the fighting factions and tries to work for the good of the community. (shrink)

In the analysis of Anaxagoras’ physics in view of the relation between his teachings on multitude and heterogeneity, two central questions emerge: 1) How can the structure of the universe considered purely mereo-topologically help us explain that at the first cosmic stage no qualitative difference is manifest in spite of the fact that the entire qualitative heterogeneity is supposedly already present there? 2) How can heterogeneity become manifest at the second stage, resulting from the noûs intervention, if according to fragment (...) B 6 such a possibility requires the existence of “the smallest”, while according to the general principle stated in fragment B 3 there is not “the smallest” but always only “a smaller”? This paper showcases the perplexity of these two questions but deals only with the former. The answer follows from Anaxagoras’ being a thoroughgoing infinitist in the way in which no Greek physicist was: the principle of space isotropy operative in geometry is extended to physics as well. So any two parts of the original mixture are similar to each other not only in view of the smaller-larger relation but also because each contains everything that the other one contains. This in effect means that at the stage of maximal possible heterogeneity each part of any part contains infinitely many heterogeneous parts of any kind whatsoever. So, neither can there be homogeneous parts in view of any qualitative property, nor can there be predominance in quantity of parts of any kind that would make some property manifest. (shrink)

In this thesis, I use a close reading of the silent films of Charlie Chaplin to examine a question of listening posed by Jean-Luc Nancy, “Is listening something of which philosophy is capable” (Nancy 2007:1)? Drawing on the work of Nancy, Jacques Derrida and Gayatri Spivak, I consider a claim that philosophy has failed to address the topic of listening because a logocentric tradition claims speech as primary. In response to Derrida’s deconstruction of logocentrism, Nancy complicates the problem of listening (...) by distinguishing between l’écoute and l’entente. L’écoute is an attending to and answering the demand of the other and l’entente is an understanding directed inward toward a subject. Nancy could deconstruct an undervalued position of l’écoute, making listening essential to speech. I argue, Nancy rather asks what kind of listening philosophy is capable of. To examine this question, I focus on the peculiarly dialogical figure derived from Chaplin that communicates meaning without using speech. This discussion illustrates how Chaplin, in the role of a silent figure, listens to himself (il s’écoute) as other. Chaplin’s listening is Nancean resonance, a movement in which a subject refers back to itself as another subject, in constant motion of spatial and temporal non-presence. For Nancy, listening is a self’s relationship to itself, but without immediate self-presence. Moving in resonance, Chaplin makes the subject as other as he refers back to himself as other. I argue that Chaplin, through silent dialogue with himself by way of the other, makes his listening listened to. Chaplin refused to make his character speak because he believed speech would change the way in which his work would be listened to. In this way, Chaplin makes people laugh by making himself understood (se fait entendre) as he makes himself listened to (se fait écouter). In answer to Nancy’s question, I conclude philosophy is capable of meeting the demand of listening as both l’entente and l’écoute when it listens as Chaplin listens. (shrink)

This catalogue is divided into two parts. Part 1 presents basic bibliographical information on books and journal issues that consist exclusively or in large part in papers devoted to the Presocratics and the Sophists. Part 2 lists the papers on Presocratic and Sophistic topics found in the volumes, providing name of author, title, and page numbers, and in the case of reprinted papers, the year of original publication. In some cases Part 2 lists the complete contents of volumes, not only (...) the Presocratic and Sophistic-related papers. Annual updates are submitted as additional files below. (shrink)