Women’s movements in Western Europe are not dead, but they have altered their strategies in ways that require adaptation of investigative repertoires. Recent research highlights women’s movements’ pathways into institutions as well as the transnationalisation of activism. This article focuses on the shifting public communication repertoire associated with these developments. Communication and movement outreach across Europe are increasingly constituted online. The authors investigate the degree to which women’s networks in Germany and the UK mobilise constituencies via online means. Utilising network (...) mapping tools as well as original data from women’s NGOs, they analyse the density and distribution of relationships in German and UK networks, as well as their interactive communication repertoires as indicators of their capacity to engage constituents. The findings show that information-focused means of communication are more prevalent than interactive mobilisation tools. Women’s NGOs in the UK utilise more public engagement features than those in Germany. The authors relate these findings to second-, third- and fourth-wave feminisms, focusing on their distinct mobilisation strategies. (shrink)

Austerity politics, war in the Middle East and at other borders of the European Union, the rise of nationalisms, the emergence of populist parties and politicians, Islamophobia and the refugee crisis are amongst the recent developments suggesting the need for discussions about the theories and concepts that academic disciplines provide for making sense of societal, cultural and political transformations. In this article, we focus on the capacities of feminist political theories to undertake this task. By assessing different feminist approaches to (...) political analysis that range from focusing on women and men, to analysing gender, to doing intersectionality and to adopting post-structural and new materialist approaches, we explore the contributions and the limitations of each framework. This allows us to consider where feminist theoretical debates on gender and politics currently are, to assess old and new developments and to address lacunae in the debate. Our argument is that dominant approaches in political science influence the emergence and marginalisation of particular feminist frameworks for political analysis, but also that feminist theorising of gender and politics, in striving for recognition within mainstream political science, reproduces its own hegemonies and marginalisations. (shrink)

In developing strategies to contest the systematic efforts to dismantle progressive social and economic policies generated through decades of activism, it is important to understand how discursive frames that were significant in social justice organizing in the United States have come to be subjugated, delegitimated, or co-opted, and have lost their power for social justice activism. Using a materialist feminist approach, I first examine the processes of subjugation and explore how movement actors choose frames within bounded discursive fields that become (...) institutionalized, but lose critical feminist or progressive intent. I then discuss the delegitimation of a citizen’s right to government support and the co-optation of progressive movement frames by conservative groups. I conclude with a materialist feminist call to attend to the multiple institutions that contour the discursive field and the everyday practices of social movement organizations. This is a call for collective research, since no single case can attend to all of these dimensions and processes. (shrink)

bildwechsel is one of the most prolific and longstanding video collectives established in Europe within the framework of the women’s movement. Founded in 1979 by students of the Hamburg College of Fine Arts, in 1986 the group became an umbrella organization with activities and agents spread all over Europe and the world sharing a common infrastructure. The purpose of bildwechsel is to strengthen women’s presence in the audiovisual media and to advance feminist and queer art. The group has been pursuing (...) its mandate initially through local workshops and exhibitions, then through archival practices and programming activities promoted on the organization’s website. This article examines bildwechsel as an example of women’s ability to maintain a niche presence within the European and the world art scene since the late 1970s via grassroots globalized practices, from within a theoretical framework drawing on transnational feminism and new media theory. (shrink)