Our aim in this paper is to bring to light the importance of the notion of économie animale in Montpellier vitalism, as a hybrid concept which brings together the structural and functional dimensions of the living body – dimensions which hitherto had primarily been studied according to a mechanistic model, or were discussed within the framework of Stahlian animism. The celebrated image of the bee-swarm expresses this structural-functional understanding of living bodies quite well: “One sees them press against each other, (...) mutually supporting each other, forming a kind of whole, in which each living part, in its own way, by means of the correspondence and directions of its motions, enables this kind of life to be sustained in the body” (Encyclopédie, article “Observation,” by Ménuret de Chambaud). What is important here is that every component part is always a living part, i.e., every structural unit is always functional. Interestingly, while the twin notions of ‘animal economy’ and organisation are presented as improvements over a mechanistic perspective, they are nonetheless compatible with an expanded sense of mechanism and by extension, with materialism as reflected notably in the writings of Ménuret and Bordeu. We thus propose both a revision and reconstruction of the historical status of the ‘animal economy’, and a reflection on its conceptual status. (shrink)

Already in his lifetime, the naturalist Louis-Jean-Marie Daubenton was dramatically contrasted with his patron and collaborator on the Histoire naturelle (Natural History), Buffon figuring as stylish and prone to hypothesizing, Daubenton as narrow and unwilling to generalize. This caricatural image of Daubenton as an anti-Buffon persists even now. The purpose of this paper is to investigate the development of Daubenton's reputation and then to moderate it by showing that he was not so averse to theorizing or generalization as history has (...) made him. Evidence for this argument comes from the Histoire naturelle and from unpublished manuscripts proving that he originally planned to contribute two synthetic treatises on animal anatomy to the Histoire naturelle. Reconstituting the series as he envisaged it allows a more balanced portrait of one of the founders of comparative anatomy and a look behind the scenes of one of the eighteenth century's most important scientific publications. (shrink)

The ArgumentContrary to the dominant historiography of microscopy, which tends to maintain that there was no microscopical program in the Enlightenment, this paper argues that there was such a program and attempts to illustrate one aspect of its dynamic character. The experiments, observations, and interpretations on rotifers and their management by scholars of that period show that there did exist a precise axis of research that can be followed historically. Indeed, the various controversies these scholars engaged in imply that they (...) performed accurate microscopical experiments and observations and also carefully interpreted their visual data. Furthermore, the kinds of phenomena presented by the rotifer and other microscopic entities, such as their morphology or their revival from desiccation, helped to improve methodology on the use of the microscope. The paper also argues that this sort of inquiry is not fundamentally different from other research in the natural sciences of the eighteenth century. (shrink)

The ArgumentIn this essay I will sketch a few instances of how, and a few forms in which, the “invisible” became an epistemic category in the development of the life sciences from the seventeenth century through the end of the nineteenth century. In contrast to most of the other papers in this issue, I do not so much focus on the visualization of various little entities, and the tools and contexts in which a visual representation of these things was realized. (...) I will be more concerned with the basic problem of introducing entities or structures that cannot be seen, as elements of an explanatory strategy. I will try to review the ways in which the invisibility of such entities moved from the unproblematic status of just being too small to be accessible to the naked or even the armed eye, to the problematic status of being invisible in principle and yet being indispensable within a given explanatory framework. The epistemological concern of the paper is thus to sketch the historical process of how the “unseen” became a problem in the modern life sciences. The coming into being of the invisible as a space full of paradoxes is itself the product of a historical development that still awaits proper reconstruction. (shrink)

In diesem Artikel geht es um die historische und konzeptuelle Entwicklung von Charles Bonnets (1720-1793) allgemeiner Systemtheorie organismischer Ordnung. Hierfür wird der Kontext von Bonnets Ansatz in Naturgeschichte und Philosophie rekonstruiert. Leitfaden zur Analyse von Bonnets Systemtheorie bildet das Problem der doppelten Verortung des Organischen: Zum einen unterscheiden sich organisierte Körper durch ihre Ordnungsform von allen nicht organisierten Körpern, und zum anderen reihen sie sich zusammen mit den nicht-organisierten Körpern in eine Stufenleiter der Wesen ein, die von den Elementen bis (...) zum Menschen reicht und Mineralien, Pflanzen und Tiere umfasst. Anhand dieser Problemstellung wird eine Interpretationsebene entwickelt, die es erlaubt, Bonnets Ansatz einer bestimmten Transformation zwischen klassischer Metaphysik und Naturgeschichte zuzuordnen. The article focuses on the historical and conceptual development of Charles Bonnet's (1720-1793) general system theory of organismic order. The context of Bonnet's work will be reconstructed in natural history and philosophy. The problem of the double position of organic bodies is central for the understanding of Bonnet's theory: On the one hand, organized bodies are different from all non-organized bodies, and on the other hand, organized and non-organized beings form a single scale of beings that reaches from the elements to minerals, plants, animals and humans. This problematic setting will be characterized as a specific transformation between classical metaphysics and natural history. (shrink)

This essay explores the use of stringed instruments (and in particular the harpsichord) as models of brain and cognitive function in eighteenth-century French medicine and natural philosophy. These comparisons were founded in part on the anatomical investigations of the latter half of the seventeenth century, which had established both the “fibrous” structure of the white and gray matter of the cerebrum and the vibratory movement the brain underwent in the performance of its functions. Musical instruments—and in particular the harpsichord—helped these (...) philosophers speculate about how the brain worked as the material instrument of sensation and thought: they were machines at once mechanical and affective, grounded in the materiality of their wooden boards and metal strings, yet symbolizing the rational—and immaterial—harmonies of music. (shrink)

While historians of the microscope currently consider that no programme of microscopy took place during the Enlightenment, the thesis challenges this view and aims at showing when and where microscopes were used as research tools. The focus of the inquiry is the research on microscopic animalcules and the relationship of European microscope making and practices of microscopy with topical trends of the industrial revolution, such as quantification. Three waves of research are characterised for the research on animalcules in the Enlightenment: (...) 1. seventeenth-century observations on animalcules crowned by Louis Joblot's 1718 works in the milieu of Paris Académie royale des sciences, 2. mid eighteenth-century observations and experiments on polyps and animalcules (Trembley, Baker and Hill) and, 3. between 1760 and 1790, OF Müller's establishment of the systematics of infusoria in Denmark and Germany. (shrink)