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  1. Throwing the case open: The impossible subject of Luisa Passerini’s Autobiography of a Generation.Matt Ffytche - 2020 - History of the Human Sciences 33 (3-4):33-46.
    For John Forrester, the ‘case’, particularly in its psychoanalytic version, makes possible a science of the particular – knowledge open to the differences of individuals and situations. This article takes up that aspect of Forrester’s account that linked the psychoanalytic case with forms of autobiography – new narrations of that particular self. After Freud, many authors – literary and psychoanalytic – have taken up the challenge of narrating subjectivity in new forms, engaging a quasi-psychoanalytic framework (H. D., Walter Benjamin, Frantz (...)
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  • Proving nothing and illustrating much: The case of Michael Balint.Shaul Bar-Haim - 2020 - History of the Human Sciences 33 (3-4):47-65.
    John Forrester’s book Thinking in Cases does not provide one ultimate definition of what it means to ‘think in cases’, but rather several alternatives: a ‘style of reasoning’ (Hacking), ‘paradigms’ or ‘exemplars’ (Kuhn), and ‘language games’ (Wittgenstein), to mention only a few. But for Forrester, the stories behind each of the figures who suggested these different models for thinking (in cases) are as important as the models themselves. In other words, the question for Forrester is not only what ‘thinking in (...)
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  • Thinking in, with, across, and beyond cases with John Forrester.Chris Millard & Felicity Callard - 2020 - History of the Human Sciences 33 (3-4):3-14.
    We consider the influence that John Forrester’s work has had on thinking in, with, and from cases in multiple disciplines. Forrester’s essay ‘If p, Then What? Thinking in Cases’ was published in History of the Human Sciences in 1996 and transformed understandings of what a case was, and how case-based thinking worked in numerous human sciences (including, centrally, psychoanalysis). Forrester’s collection of essays Thinking in Cases was published posthumously, after his untimely death in 2015, and is the inspiration for the (...)
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