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Mental fictionalism maintains that: (1) folk psychology is a false theory, but (2) we should nonetheless keep using it, because it is useful, convenient, or otherwise beneficial to do so. We should (or do) treat folk psychology as a useful fiction—false, but valuable. Yet some argue that mental fictionalism is incoherent: if a mental fictionalist rejects folk psychology then she cannot appeal to fictions in an effort to keep folk psychological discourse around, because fictions presuppose the legitimacy of folk psychology. (...) |
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Recent discussions about the cognitive value of fiction either rely on a background theory of reference or a theory of imaginative pretense. I argue that this reliance produces a tension between the two central or defining claims of literary cognitivism that: (1) fiction can have cognitive value by revealing or supporting insights into the world that properly count as true, and (2) that the cognitive value of a work of fiction contributes directly to that work’s literary value. I address that (...) |
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Imaginative resistance refers to a phenomenon in which people resist engaging in particular prompted imaginative activities. On one influential diagnosis of imaginative resistance, the systematic difficulties are due to these particular propositions’ discordance with real-world norms. This essay argues that this influential diagnosis is too simple. While imagination is indeed by default constrained by real-world norms during narrative engagement, it can be freed with the power of genre conventions and expectations. |
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Kant's distinction between things in themselves and things as they appear, or appearances, is commonly attacked on the ground that it delivers a radical and incoherent ‘two world’ picture of what there is. I attempt to deflect this attack by questioning these terms of dismissal. Distinctions of the kind Kant draws on are in fact legion, and they make perfectly good sense. The way to make sense of them, however, is not by buying into a profligate ontology but by using (...) |
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I defend pretence hermeneutic fictionalism against the Autism Objection. The objection is this: since people with autism have no difficulty in engaging with mathematics even if they cannot pretend, it is not the case that engagement with mathematics involves pretence. I show that a previous response to the objection is inadequate as a defence of the kind of pretence hermeneutic fictionalism put forward as a semantic thesis about the discourse in question. I claim that a more general response to the (...) |
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The aim of this article is to expand the diet of examples considered in philosophical discussions of imagination and pretense, and to offer some preliminary observations about what we might learn about the nature of imagination as a result. The article presents a number of cases involving imaginative contagion: cases where merely imagining or pretending that P has effects that we would expect only perceiving or believing that P to have. Examples are offered that involve visual imagery, motor imagery, fictional (...) |
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To solve the referential sub-problem of negative existentials one must explain why we interpret uses of, e.g., ‘Sherlock Holmes doesn’t exist’ as saying something coherent and intuitively true, even though the speaker purports to refer to something. Pragmatic Meinongism solves this problem by allowing ‘does not exist’ to be pragmatically modulated to express an inclusive sense under which it can be satisfied by something. I establish three points in defense of pragmatic Meinongism: it is superior to Russell-inspired solutions; it is (...) |
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Fictionalism about fictional characters is a view according to which all claims ostensibly about fictional characters are in fact claims about the content of a story. Claims that appear to refer to or quantify over fictional objects contain an implicit prefix of the form “according to such-and-such story. In. |
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Can a player be held morally responsible for the choices that she makes within a videogame? Do the moral choices that the player makes reflect in any way on the player’s actual moral sensibilities? Many videogames offer players the options to make numerous choices within the game, including moral choices. But the scope of these choices is quite limited. I attempt to analyze these issues by drawing on philosophical debates about the nature of free will. Many philosophers worry that, if (...) |
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Might fiction films have cognitive value, and if so, how might such value interact with films’ artistic and aesthetic values? Philosophical consideration of this question tends to consist in either ceteris paribus extensions of claims relating to prose fiction and literature; meta-philosophical inquiries into the capacity of films to be or do philosophy; or generalised investigations into the cognitive value of any, and thereby all, artworks. I first establish that fiction films can be works of art, then address this lacuna (...) |
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