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World-experience, world-representation, and the world as an idea

Roberto J. Walton

Husserl Studies 14 (1):1-20 (1997)

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Ricoeur, ideology critique, and genetic phenomenology.Ka-yu Hui - 2024 - International Journal of Social Imaginaries 3 (1):64-86.details This paper elucidates Ricoeur’s use of genetic phenomenology in his analysis of ideology and utopia, and how genetic phenomenology contributes to ideology critique. I argue that Ricoeur’s analysis, examined through the lens of genetic phenomenology, unveils the genesis of the experience of ideology. I propose a model of ideology critique emphasizing the liberation of individuals from ideological delusion without proclaiming an ideology-free position. Additionally, I explore the strategic use of utopian imagination to incite liberating experiences. In conclusion, I underscore the (...) Download Export citation Bookmark
Horizons of the word: Words and tools in perception and action.Hayden Kee - 2020 - Phenomenology and the Cognitive Sciences 19 (5):905-932.details In this paper I develop a novel account of the phenomenality of language by focusing on characteristics of perceived speech. I explore the extent to which the spoken word can be said to have a horizonal structure similar to that of spatiotemporal objects: our perception of each is informed by habitual associations and expectations formed through past experiences of the object or word and other associated objects and experiences. Specifically, the horizonal structure of speech in use can fruitfully be compared (...) Download Export citation Bookmark 5 citations
Moments of realization: extending Homeworld in British-African Novelist Doris Lessing’s Four-Gated City.David Seamon - 2022 - Continental Philosophy Review 55 (4):519-535.details For Husserl, the _homeworld_ is the tacit, taken-for-granted sphere of experiences, understanding, and situations marking out a world that is comfortable, usual, and “the way things are and should be.” Always, according to Husserl, the homeworld is in some mode of lived mutuality with an _alienworld_—a world as seen as a realm of difference, atypicality, and otherness. In this article, I draw on British-African novelist Doris Lessing’s 1969 novel, _The Four-Gated City_, to consider the shifting homeworld of protagonist Martha Quest, (...) Download Export citation Bookmark
Aesthetic Horizons: A Phenomenologically Motivated Critique of Zuidervaart.Eric Chelstrom - 2016 - Journal of Aesthetics and Phenomenology 3 (1):1-14.details One of the more ambitious and yet fruitful attempts in recent years to untangle general questions about the nature of aesthetic phenomena and their socially constituted nature rests in Lambert Zuidervaart’s critical hermeneutical theory of artistic truth. In this paper, I explore one part of Zuidervaart’s project, namely his conception of “aesthetic validity as a horizon of imaginative cogency.” I seek to develop Zuidervaart’s conception by bringing his thesis into dialogue with phenomenological analyses of “horizon” and the collective intentional approach (...) Download Export citation Bookmark

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