ABSTRACTJacques Lacan studied Chinese classics and received much inspiration from Zhuangzi. This paper concentrates on the comparative study of morality in those two thinkers from three connecting levels, namely, nature as the source of ethical codes, reason as the means to arrive at the ethical state, and pleasure as the ultimate purpose of morality. The investigation into the topic is enlightening for posthuman morality. Zhuangzi’s idea of the poetics of oneness inspires the Lacanian concept of the Real and ushers us (...) into a new territory to rethink animal rights. (shrink)

This article compares repetition in Zhuangzi and Jacques Lacan from three perspectives: repetition as a mechanism, a revelation, and a solution. First, repetition enables us to detect underlying structures. Zhuangzi loses himself in observing the intricate animal relationships (the mantis, cicada, magpie) without any knowledge of being watched over by a garden-keeper. Lacan rewrites these positions into three stages of human development. Repetition also serves as a revelation. The four repetitions of the magus’ diagnoses reveal the shift from the transparent (...) subject to the opaque subject. Lacan absorbs this mysterious Daoist concept and rewrites repetition as “an encounter with the real.” Finally, to restore the symbiotic coexistence with things, Zhuangzi resorts to repetition. Like Zhuangzi, Lacan acknowledges the capacity for repetition to enable our encounter with the Real; unlike Zhuangzi, Lacan holds that the primary function of repetition is to “haul” the subject from collapsing into the Real. (shrink)

This article argues for a posthumanist reading of loss in Zhuangzi and Jacques Lacan. Language separates human beings from the primordial oneness and channels them into the procrustean bed of cultu...

Zhuang Zi has a seminal influence on Jacques Lacan. Seeing enables an observer to penetrate into the nature of the examined thing so that he will have a potential mastery over the observed object....

ABSTRACTThis article proposes a posthumanist reading of knowledge in Zhuangzi and Jacques Lacan from four interconnected aspects. First, knowledge is inseparable from practice, as is exemplified in Lacan’s original rewriting of Zhuangzi’s ‘agreement between name and actuality’ as the dialectic relationship between Other and other. Then, knowledge leads us to explore the mysterious knowledge behind the surface, which resists linguistic expression and defies human agency. Furthermore, the importance of the mysterious knowledge compels us to figure out the accesses to reach (...) this unknown territory. Finally, the availability of the opaque knowledge, in a circular form, returns to the beginning question albeit on a more advanced level: the methods of putting the unknown knowledge into practice. Apart from these four logical aspects, the new perspective of posthumanism enables us to go beyond anthropocentric understanding of knowledge and bracket it within a broad framework of cross-species becoming. (shrink)