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  1. Gender, Nationality and Cultural Representations of Ireland: An Irish Woman's Place?Pauline Maclaran, Stephen Brown & Lorna Stevens - 2000 - European Journal of Women's Studies 7 (4):405-421.
    Ireland has struggled with its ‘feminine’ identity throughout its history. The so-called ‘chasmic dichotomy of male and female' is embedded in colonial and postcolonial constructions of Irishness and it continues to manifest itself in contemporary cultural representations of Ireland and Irishness. This study explores issues of gender and nationality via a reading of a 70-second television advertisement for Caffrey's Irish Ale, titled ‘New York’. The article suggests that, although colonial and postcolonial discourse on Ireland continues to perceive the ‘feminine’ in (...)
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  • All's Fair in Love and War?: Representations of Prison Life in Silent Grace.Aileen Blaney - 2008 - European Journal of Women's Studies 15 (4):393-409.
    This article investigates the textual strategies with which Maeve Murphy's Silent Grace addresses viewers in contemporary Northern Ireland. Borrowing Eric Santner's concept of `narrative fetishism', the analysis examines how the film's representation of the past obscures the historical realities experienced by female political prisoners in Armagh jail in the late 1970s and early 1980s. From this standpoint, its ethical relation to historical `truth' and responsibilities to its local audience are debated.
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  • Conflicting Interests: The British and Irish Suffrage Movements.Margaret Ward - 1995 - Feminist Review 50 (1):127-147.
    This article uses a case-study of the relationship between the British suffrage organization, the Women's Social and Political Union, and its equivalent on the Irish side, the Irish Women's Franchise League, in order to illuminate some consequences of the colonial relationship between Britain and Ireland. As political power was located within the British state, and the British feminist movement enjoyed superior resources, the Irish movement was at a disadvantage. This was compounded by serious internal divisions within the Irish movement — (...)
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  • ‘I Won't Go Back to It’1: Irish Women Poets and the Iconic Feminine.Lia Mills - 1995 - Feminist Review 50 (1):69-88.
    This paper explores the dynamic interaction between contemporary Irish women poets and the notion of tradition in Irish poetry. Looking at the work of Eavan Boland, Susan Connolly, Paula Donlon, Mary Dorcey, Paula Meehan and Nuala Ní Dhomhnaill, the paper suggests that women poets today are subverting tradition and destabilizing a conventionally accepted fusion of the feminine with the national. This is achieved through direct challenge, through dislocation and through establishing a dialogue between the mythical and the real in the (...)
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  • Remapping and Renaming: New Cartographies of Identity, Gender and Landscape in Ireland.Catherine Nash - 1993 - Feminist Review 44 (1):39-57.
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  • Book review: Ex-Combatants, Gender and Peace in Northern Ireland: Women, Political Protest and the Prison Experience by Azrini Wahidin. [REVIEW]Theresa O’Keefe - 2020 - Feminist Review 125 (1):127-129.
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  • Armagh and Feminist Strategy: Campaigns around Republican Women Prisoners in Armagh Jail.Christina Loughran - 1986 - Feminist Review 23 (1):59-79.
    The priorities for women in England are not automatically ours. There is a war going on in Ireland, we are living in a country divided by British rule. (Rita O'Hare, Women's Department Sinn Fein, in Collins, 1985:115).
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  • The Virgin Mary Connection: Reflecting on Feminism and Northern Irish Politics.Fidelma Ashe - 2006 - Critical Review of International Social and Political Philosophy 9 (4):573-588.
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  • Intervening in Northern Ireland: Critically re‐thinking representations of the conflict.Marysia Zalewski - 2006 - Critical Review of International Social and Political Philosophy 9 (4):479-497.
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