Plato’s Hippias Minor proposes a thesis that I call the Superiority of the Voluntary Wrongdoer, which states that the person doing something wrong voluntarily is better than the person doing it wrong involuntarily. This claim has long unsettled scholars, who have tried to determine whether Socrates is serious about SVW or disavows it. The primary strategy among interpreters is to appeal to Socrates’ prior commitment to the “Socratic paradox” that no one does injustice voluntarily; with the Socratic paradox in the (...) background, it is argued, we can better understand how Socrates treats SVW. In this paper, I aim to show that the Hippias Minor points us towards a different understanding of SVW and the Socratic paradox, with implications for their role both in the dialogue and in Plato’s philosophy as a whole. My first step towards this understanding is to consider the distinctive methodology of the Hippias Minor. Socrates’ attitude towards his and Hippias’ arguments is characterized by πλάνη, or wavering; I argue that this wavering shows that Socrates wants to determine how he might accommodate what is compelling about both his and Hippias’ positions, rather than choosing one over the other. To that end, I look more closely at what each interlocutor proposes in the dialogue, concluding that many of their primary commitments are shared by both interlocutors and do not contradict. We do not, then, need to throw out SVW, and we can grasp the true role of the Socratic paradox: it is not axiomatic but a conditional conclusion of the dialogue, and Socrates’ attempt to reconcile SVW with Hippias’ arguments provides reasons and motivation for accepting it. Accordingly, we cannot assume that the Socratic paradox will be in place, and we should look for some indication in the Hippias Minor as to why it could hold. I argue that the dialogue provides a framework for doing so, by taking steps towards a new understanding of knowledge that can support the Socratic paradox. These moves put the Hippias Minor in the position of beginning to examine and develop key ideas in Plato’s ethics and epistemology. (shrink)

In Hippias Minor, Plato does not merely condemn Homer as a reference in ethical matters. He opposes two uses of poetry when it comes to referring to and giving meaning to it: poetry as a source of knowledge admitted and frozen by tradition, ethically normative, and poetry as a source of philosophical questions, conducive to ethical reflection. The debate shows that Socrates’ view of Homer, as well as his Homeric point of view, allow us to ask good and often paradoxical (...) questions about the link between truth, falsity, knowledge and calculation, which are essential for those who want to build solid ethics. The dialogue then shows how the philosopher enriches the meaning of the Homeric text. (shrink)

RESUMEN Se aborda el pensamiento de E.M. Cioran desde la perspectiva de un sinsabor vital denominado sentimiento de muerte. El término, aunque aparece solo en su primer escrito, es transversal a toda su obra, puesto que para el autor los seres humanos nos intuimos como posesos de la muerte en cada momento de nuestra existencia. Esto cambia el tono normal de la vida, al poner frente a la persona una realidad carente de sentido y dominada por circunstancias radicales y limitantes (...) como el dolor y la agonía, que culmina en una atmósfera gobernada por la intuición trágica de la vida. ABSTRACT The article addresses the thought of E.M. Cioran from the perspective of that vital uneasiness known as the sentiment of death. Although the term appears only in his first book, the idea cuts across his entire work given that, for Cioran, human beings intuit themselves as possessed by death at every moment of their lives. When persons are faced with a meaningless reality, dominated by radical and limiting circumstances such as pain and agony, the whole tenor of life changes until it becomes a tragic intuition of life. (shrink)