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In the essay “Cézanne’s Doubt,” Merleau-Ponty explores the relationship between Paul Cézanne’s art and his embodiment. The doubt in question is ultimately about the meaning of his disabilities. Should Cézanne’s disabilities or impairments shape how we interpret his art or should they instead be treated as incidental, as mere biographical data? Although Merleau-Ponty's essay isn’t intended to be phenomenological, its line of questioning is as much about lived experience as it is about art criticism, art history, and aesthetics. I here (...) |
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Since Gayle Salamon’s 2018 article “What is Critical about Critical Phenomenology?”, phenomenologists and critical theorists have offered various responses to the question this title poses. In doing this, they articulated the following considerations: is renewed criticality targeting the phenomenological method itself, does it expand its subject matter to marginalized experiences, does it retool key phenomenological concepts? One aspect of this debate that has been left under-interrogated, however, is the word “phenomenology” itself. There is after all another question to ask in (...) |
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European Journal of Philosophy, Volume 30, Issue 2, Page 725-739, June 2022. |
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Social sensitivity is a crucial aspect of interpersonal relationships, as it is intrinsic to the understanding of other selves as subjects situated in a social world. In revitalizing such a concept in the philosophical literature, this article examines the relation between habit, attention, and critical self‐awareness that lies at the core of social sensitivity. On the one hand, I reconsider the so‐called “passivity” of habit and tackle the role of attention as the power of varying point of view. On the (...) |
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Philosophy Compass, Volume 17, Issue 2, February 2022. |
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With the exception of James Ostrow’s 1990 study, social sensitivity has received scarce attention in philosophy, whilst it has become an important area of research in social and clinical psychology, where it is commonly known as interpersonal sensitivity. The latter is usually understood as a form of social skill to appropriately recognise and decode the appearance and behaviour of others. However, this view suffers from conceptual limitations in that it tends to reduce social sensitivity to standardised skilful behaviour. Drawing on (...) |
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The phenomenological notion of attitude has gained new traction in recent years, as it proliferates beyond its initial distinction between natural and phenomenological attitudes, notably to describe multiple meanings to critique and reflection. In this paper, I present an account of the concept of an ethical attitude in Husserlian phenomenology. First, I argue that the ethical attitude is best understood as a practical orientation toward personal life as a whole: someone strives to become the best possible person through self-reflection, self-variation, (...) |
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