In this introduction, I explain the notion of higher-order evidence and explore its bearing on aesthetic judgement. I start by illustrating how reflection on cases involving higher-order evidence engages with well-established concerns in aesthetics—specifically, how it might reveal tensions within and between widely recognized aesthetic ideals governing aesthetic judgement. Next, I show how attention to higher-order evidence in relation to aesthetic judgement might expose limitations or assumptions of theories in epistemology, where the nature and significance of higher-order evidence with respect (...) to belief is the focus of much recent attention. The aim is not to resolve the issues but to demonstrate the significance of higher-order evidence in aesthetics and, in doing so, encourage work on the topic in and across aesthetics and epistemology. (shrink)

I develop three arguments in support of my contention that we should favor achievements over agents as objects of fitting moral admiration. The first argument impugns the epistemic standing with which characterological admiration is standardly issued. The second argument alleges that there is likely to be a difference between widely held folk concepts of character and traits, on the one hand, and an empirically supported view of the reality of those things, on the other. The final argument concerns one way (...) in which characterological admiration renders some aspects of our practices of admiring subject to undesirable revision. In each case I use an analogy to athletic admiration to show how achievement admiration avoids the problems of characterological admiration. I then suggest an alternative role for characterological considerations in fitting admiration, as a loose constraint on what is appropriate to admire rather than as an object of admiration. The upshot of the article is theoretical, inasmuch as it develops a tension between the conditions governing fitting admiration and an empirically informed view of character. But there is also practical upshot, especially in the context of public practices of admiring, as when we build statues of heroes or name buildings after them. (shrink)

Suppose there are no in-principle restrictions on the contents of arbitrarily intelligent agents’ goals. According to “instrumental convergence” arguments, potentially scary things follow. I do two things in this paper. First, focusing on the influential version of the instrumental convergence argument due to Nick Bostrom, I explain why such arguments require an account of “promotion,” i.e., an account of what it is to “promote” a goal. Then, I consider whether extant accounts of promotion in the literature -- in particular, probabilistic (...) and fit-based views of promotion -- can be used to support dangerous instrumental convergence. I argue that neither account of promotion can do the work. The opposite is true: accepting either account of promotion undermines support for instrumental convergence arguments’ existentially worrying conclusions. The conclusion is that we needn’t be scared -- at least not because of arguments concerning instrumental convergence. (shrink)