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Metaphor and film

New York: Cambridge University Press (1990)

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  1. The camera never lies: Social construction of self and group in video, film, and photography. [REVIEW]Jo Ann Oravec - 1995 - Journal of Value Inquiry 29 (4):431-446.
    Construction of self and group often incorporates the use of objects associated with "expression," including videos, films, and photographs. In this article, I describe four different sites for construction of groups (group portraiture, courtrooms, video-assisted group therapy, and videoconferencing). I discuss potential aspects of shifts in the way we use and talk about media on what it is like to participate in a group. The eras of video, film, and photography as "silent witnesses" to group interaction are gradually passing. For (...)
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  • Imago Dei: Metaphorical conceptualization of pictorial artworks within a participant-based framework.Amitash Ojha, Marianna Bolognesi & Fabio I. M. Poppi - 2020 - Semiotica 2020 (236-237):349-376.
    This article presents an exploratory analysis of the metaphoric structure of five artistic paintings within “Think aloud” protocols, in which a group of 14 English speakers with a low self-rated level of expertise in art and history of art expertise were asked to verbalize all their thoughts, ideas and impressions of the artworks. The main findings of this study can be summarized as follows: (1) multiple interpretations for the same artwork are possible, (2) the interpretations of the metaphorical structures described (...)
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  • The N1–N2–LPC Pattern in Processing Advertising Pictorial Metaphors: An ERP Study.Shuo Cao, Yanzhang Wang, Hongjun Chen & Huili Wang - 2018 - Frontiers in Psychology 9.
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  • Back to ‘cinema is filmed theatre’.Eli Rozik - 2005 - Semiotica 2005 (157):169-185.
    Following its invention, cinema was initially conceived and approached as photographed theatre. After a reasonable period of self-establishment, however, it has become commonplace that cinema essentially differs from theatre, and is thus a new and independent dramatic art form. Eventually, while the advent of performance art created the illusion of a basic affinity to theatre, on the grounds of spectators actually experiencing real bodies on a stage, there has been a broadening of the alleged gap between theatre and cinema, in (...)
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  • Semiotics in Technology, Learning, and Culture.Ruth Gannon Cook - 1998 - Bulletin of Science, Technology and Society 18 (3):174-179.
    Lev Vygotsky's research presented individual men tal processes as being determined by one's historically developed activity, both on a physical level (through labor) and on a mental level (through the use of psychological tools). In this study, the author reviews the translated research of Vygotsky and compares his use of the term psychological tools with research in the areas of metaphors and semiotics. Could these semiotic psychological tools be included in media sound bites and computer software to facilitate and enhance (...)
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