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Within Nietzsche's labyrinth

New York: Routledge (1990)

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  1. ART(S) OF BECOMING: PERFORMATIVE ENCOUNTERS IN CONTEMPORARY POLITICAL ART.İbrahim Okan Akkin - 2017 - Dissertation, Middle East Technical University
    This thesis analyses Deleuze & Guattari’s notion of becoming through certain performative encounters in contemporary political art, and re-conceptualizes them as “art(s) of becoming”. Art(s) of becoming are actualizations of a non-representational –minoritarian– mode of becoming and creation as well as the political actions of fleeing quanta. The theoretical aim of the study is, on the one hand, to explain how Platonic Idealism is overturned by Deleuze’s reading of Nietzsche and Leibniz, and on the other hand, how Cartesian dualism of (...)
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  • Music Education in Nihilistic Times.Wayne Bowman - 2005 - Educational Philosophy and Theory 37 (1):29-46.
    This essay explores the contingency of music's value, and the significant ways that contingency qualifies (or should qualify) our understandings of the utility of instructional method. More specifically, it raises the possibility that the altruistic pursuit of methodological purity may serve ends dramatically different than those espoused by practitioners. Music making, music study, and music learning may be liberating, empowering, and educational; but they may also serve precisely opposite ends. More simply put, neither music nor its study is unconditionally or (...)
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  • Music education in nihilistic times.Wayne Bowman - 2005 - Educational Philosophy and Theory 37 (1):29–46.
    This essay explores the contingency of music's value, and the significant ways that contingency qualifies our understandings of the utility of instructional method. More specifically, it raises the possibility that the altruistic pursuit of methodological purity may serve ends dramatically different than those espoused by practitioners. Music making, music study, and music learning may be liberating, empowering, and educational; but they may also serve precisely opposite ends. More simply put, neither music nor its study is unconditionally or inherently good. The (...)
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  • Nietzsche’s Illustration of the Art of Exegesis.Christopher Janaway - 2002 - European Journal of Philosophy 5 (3):251-268.
    The paper argues on the basis of internal textual evidence that Nietzsche's statement that Essay 3 of On the Genealogy of Morality illustrates an aphorism has hitherto been misinterpreted. The aphorism in question is Section 1 of Essay 3 (which was in fact inserted a late stage of publication); the remainder of Essay 3 is the commentary on it. Those interpreters who have taken the short epigram concerning 'wisdom as a woman' to be the aphorism on which Essay 3 is (...)
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