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  1. Autotranscendence and Creative Organization: On Self-Creation and Self-Organization.Anders Michelsen - 2007 - Thesis Eleven 88 (1):55-75.
    This article discusses the issue of social and cultural ‘autotranscendence’ - self-production, creativity - in the debates on self-organization. The point of departure is Cornelius Castoriadis’s idea of ‘self-creation’. First, a schisma between mechanical and ontological modeling is indicated and used to introduce the idea of a ‘creative organization’. This is further discussed in relation to Jean-Pierre Dupuy’s concept of social ‘autotranscendence’ by ‘complex methodological individualism’, with particular respect to the incomprehension of the social. Following Johann P. Arnason’s treatment of (...)
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  • Augmented Reality, Artificial Intelligence, and the Re‐Enchantment of the World.Mohammad Yaqub Chaudhary - 2019 - Zygon 54 (2):454-478.
    There has recently been a surge of development in augmented reality (AR) technologies that has led to an ecosystem of hardware and software for AR, including tools for artists and designers to accelerate the design of AR content and experiences without requiring complex programming. AR is viewed as a key “disruptive technology” and future display technologies (such as digital eyewear) will provide seamless continuity between reality and the digitally augmented. This article will argue that the technologization of human perception and (...)
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  • An Analysis of the Greatest Amount of Information and the Most Effective Language Communication Based on Several Examples from Modern Chinese: Notes of a Sociolinguist.Chen Yuan - 2004 - Contemporary Chinese Thought 35 (3):53-72.
    Information is a sequence of signals arranged in accordance with a certain method. In the practice of social language communication, this sequence of signals should also have meaning.
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  • Tinklaveika kaip kontrolės ir ideologijos aparatas: naujasis materializmas ir A. R. Galloway’aus medijų kritika.Odeta Žukauskienė - 2017 - Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies and Art 93:168-183.
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  • (1 other version)Darwin’s Sublime: The Contest Between Reason and Imagination in On the Origin of Species. [REVIEW]Benjamin Sylvester Bradley - 2011 - Journal of the History of Biology 44 (2):205 - 232.
    Recent Darwin scholarship has provided grounds for recognising the Origin as a literary as well as a scientific achievement. While Darwin was an acute observer, a gifted experimentalist and indefatigable theorist, this essay argues that it was also crucial to his impact that the Origin transcended the putative divide between the scientific and the literary. Analysis of Darwin's development as a writer between his journal-keeping on HMS Beagle and his construction of the Origin argues the latter draws on the pattern (...)
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  • Claude Levi-Strauss at His Centennial: Toward a Future Anthropology.Albert Doja - 2008 - Theory, Culture and Society 25 (7-8):321-340.
    Lévi-Strauss's centennial is an opportunity to show his inextricable connections with the evolution of 20th-century thought and what these promise for 21st-century anthropology. He has mapped the philosophical parameters for a renewed ethnography which opens innovative approaches to history, agency, culture and society. The anthropological understanding of history, for instance, is enriched by methodical application of his mytho-logical analysis, in particular his claim that myths are `machines for the suppression of time'. Lévi-Strauss's thought has led to the development of new (...)
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