This article explores the role of the antithesis between Athens and Jerusalem in the work of Karl Marx. Starting from an exploration of Ludwig Feuerbach’s Essence of Christianity, the essay attempts to situate Marx’s ‘On the Jewish Question’ within a longer history of philosophical writings about Judaism. It argues that, like previous writers, Marx depicts the Hellenic world as an implicit Other to Jewish modernity. Marx’s writings about Greece are heir both to the tradition of German philhellenism reaching back to (...) Schiller and to the insights into antiquity arising from the development of historical scholarship. While Marx’s writings have been instrumental in moving away from the Christian worldview, he has also played a contested and ambivalent role in the development of modern anti-Semitism. By exploring the representation of Greeks and Jews in Marx and Feuerbach, this article will trace how the conflict between Athens and Jerusalem played a crucial role in the shift from Christian anti-Judaism to secular anti-Semitism. (shrink)

Historians of religion and adherents of new religious movements in the twentieth century have frequently had intersecting agendas. This article discusses the interactions between scholarship on Germanic myth and culture and the protagonists and belief systems of Germanic neo-Pagan movements. It covers the era from the inception of Germanic neo-Paganism in the nationalist, anti-Semitic völkisch movement in Germany in the early 20th century until today. The article traces the appeal of reconstructionist approaches within the study of Germanic myth and culture, (...) and the desire to access a primordial pre-Christian culture back to European National Romanticism. It uncovers the latent anti-Jewish sentiments that often pervade parts of both Germanic neo-Paganism and Germanic and Indo-European studies. At the same time, it accounts for the significant changes in these ideologically tainted patterns of thought within the last two decades, highlighting Germanic neo-Paganism’s development toward respectability and mainstream thought with the help of references to recent scholarship. (shrink)

La base conceptual de lo que sería más tarde desarrollado por las vanguardias artísticas fue colonizada por alemanes de pensamiento romántico e idealista, cuya dimensión utópica puede ser fácilmente reconocida en el «antiguo programa del idealismo alemán» (1796), un texto que consagró un pensamiento idealista, que clamó por una nueva racionalidad o una mitología de la razón de Hegel, la intuición intelectual de Schelling y la Humanidad de Schiller. Aunque este proyecto de emancipación desarrollado más tarde por la vanguardia ha (...) perdido su credibilidad para nosotros, todavía tenemos que investigar en qué medida el arte de hoy puede mantener una función social. Este artículo señala algunos conceptos idealistas a la luz de una filosofía del arte, y fue creado siguiendo las líneas esbozadas en la Crítica del juicio de Kant, que han contribuido a la historia de la «avanzada» del arte. (shrink)

I offer a critique of Weber’s two ethics. The first layer is internal and concerned with their logics. The second layer considers the external knowledge necessary to apply them appropriately and ar...

This article examines the respective interpretations of the Arrernte tribe of central Australian Aborigines adopted by the English biologist Baldwin Spencer and the German missionary Carl Strehlow. These interpretations are explored in relation to the broader theoretical debates in the theory of myth that took place in England and Germany in the latter half of the 19th century. In Britain, these debates were initially shaped by the comparative philology of F. Max Müller, before being transformed by the evolutionism of Edward (...) Burnett Tylor and James George Frazer. The article shows how the research of Spencer and Strehlow was both influenced by and exerted an influence upon these theoretical debates, before assessing their research findings in relation to the philosophical hermeneutics of Hans-Georg Gadamer and the theories of myth offered by Theodor W. Adorno, Max Horkheimer and Hans Blumenberg. (shrink)