This is James Diggle'sOCT(1994), with a modified apparatus. The lacuna at 186 prompted two conjectures by Willink: υτ∊ῖθ∊υ and the ingenious αὐλθ∊υ (‘from the palace’; unknown in extant Greek). I wonder, however, whether an adverb is what we want: the anadiplosis of ἓλακ∊υ (giving a characteristic Euripidean jingle) would not have come amiss to lend a touch of hysterical urgency to the cry of the rapist's victim; but that would not give us the rhythm we need (––). Something approaching the (...) effect of the suggested anadiplosis might be obtained by the supplement πoλλοῖσιυ. Although it lacks the palaeographical plausibility of αὐλθ∊υ, it gives us an expression that is characteristically Euripidean in contexts pertaining to souls in torment:Ale.185 πoλλυ δακρωυ, 938 πολλυ δ μχθωυSu.1119 ἂλγ∊σι πoλλοῖς,Tr.28 πολλοῖς δ κωκυτοῖσιυ, 38 δκρυα χουσα πολλ, etc. The adjective applied to sound is not unknown:Rh.290–1 πολλι γᾰρ ἠχι Θρικιοςῥωυ στρατς1ἓστ∊ιχ∊. It can also be used to describe the frequency of sung laments accompanied by hysterical self-mutilation: S.El.88–90 πολλς μυ θρυωυ ὡιδς, 1 πολλᾰς δ’ υτρ∊ις ισθxυ 1 στρυωυ πλαγᾰς αἱμασσομυωυ. (shrink)