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  1. Cultural Evolution of Precise and Agreed‐Upon Semantic Conventions in a Multiplayer Gaming App.Olivier Morin, Thomas F. Müller, Tiffany Morisseau & James Winters - 2022 - Cognitive Science 46 (2):e13113.
    The amount of information conveyed by linguistic conventions depends on their precision, yet the codes that humans and other animals use to communicate are quite ambiguous: they may map several vague meanings to the same symbol. How does semantic precision evolve, and what are the constraints that limit it? We address this question using a multiplayer gaming app, where individuals communicate with one another in a scaled-up referential game. Here, the goal is for a sender to use black and white (...)
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  • The puzzle of ideography.Olivier Morin - 2023 - Behavioral and Brain Sciences 46:e233.
    An ideography is a general-purpose code made of pictures that do not encode language, which can be used autonomously – not just as a mnemonic prop – to encode information on a broad range of topics. Why are viable ideographies so hard to find? I contend that self-sufficient graphic codes need to be narrowly specialized. Writing systems are only an apparent exception: At their core, they are notations of a spoken language. Even if they also encode nonlinguistic information, they are (...)
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  • Shades of confusion: Lexical uncertainty modulates ad hoc coordination in an interactive communication task.Sonia K. Murthy, Thomas L. Griffiths & Robert D. Hawkins - 2022 - Cognition 225 (C):105152.
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  • Why do languages tolerate heterography? An experimental investigation into the emergence of informative orthography.Jon W. Carr & Kathleen Rastle - 2024 - Cognition 249 (C):105809.
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  • Puzzling out graphic codes.Olivier Morin - 2023 - Behavioral and Brain Sciences 46:e260.
    This response takes advantage of the diverse and wide-ranging series of commentaries to clarify some aspects of the target article, and flesh out other aspects. My central point is a plea to take graphic codes seriously as codes, rather than as a kind of visual art or as a byproduct of spoken language; only in this way can the puzzle of ideography be identified and solved. In this perspective, I argue that graphic codes do not derive their expressive power from (...)
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