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  1. The Problem of Modal Epistemic Friction, Similarity, Essence and Induction.Michael Wallner - 2023 - Disputatio 15 (69):179-202.
    Vaidya & Wallner [2021] have recently formulated the Problem of Modal Epistemic Friction (PMEF) for three of the most discussed accounts in the epistemology of modality: conceivability-based, counterfactual-based and deduction-based accounts. They propose essentialist solutions in all three cases, arguing that all three discussed accounts should be supplemented by a suitable epistemology of essence. In this paper I argue that the PMEF also applies to Roca-Royes’ similarity-based account in the epistemology of modality. I also discuss if or to what extent (...)
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  • Beyond the Limits of Imagination: Abductive inferences from imagined phenomena.Michael Traynor - 2021 - Synthese 199:14293–14315.
    The present paper proposes a route to modal claims that allows us to infer to certain possibilities even if they are sensorily unimaginable and beyond the evidential capacity of stipulative imagining. After a brief introduction, Sect. 2 discusses imaginative resistance to help carve a niche for the kinds of inferences about which this essay is chiefly concerned. Section 3 provides three classic examples, along with a discussion of their similarities and differences. Section 4 recasts the notion of potential explanation in (...)
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  • Inductive Knowability of the Modal.Sonia Roca-Royes - 2023 - Disputatio 15 (69):151-178.
    This paper scrutinises the limits of a posteriori induction in acquiring modal knowledge. I focus on my similarity-based account (Roca-Royes [2017]); an inductive, non-rationalist epistemology of modality about concrete entities. Despite the explanatory merits of the account in relation to a vast range of modal claims, this inductive epistemology has been found incapable of yielding knowledge of a certain, other range of modal claims. Here, two notions of knowability are distinguished which reveal some of these limitations to be not only (...)
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  • Modalizing in musical performance.Giulia Lorenzi & Felipe Morales Carbonell - forthcoming - Mind and Language.
    This article aims to connect issues in the epistemology of modality with issues in the philosophy of music, exploring how modalizing takes place in the context of musical performance. On the basis of studies of jazz improvisation and of classical music, it is shown that considerations about what is sonically, musically, and agentively possible play an important role for performers in the Western tonal tradition. We give a more systematic sketch of how a modal epistemology for musical performance could be (...)
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