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  1. Call for Papers: Methods in Emotion Research.Kimberly A. Barchard - 2020 - Emotion Review 12 (4):309-310.
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  • Bodily feedback: expansive and upward posture facilitates the experience of positive affect.Patty Van Cappellen, Kevin L. Ladd, Stephanie Cassidy, Megan E. Edwards & Barbara L. Fredrickson - 2022 - Cognition and Emotion 36 (7):1327-1342.
    Most emotion theories recognise the importance of the body in expressing and constructing emotions. Focusing beyond the face, the present research adds needed empirical data on the effect of static full body postures on positive/negative affect. In Studies 1 (N = 110) and 2 (N = 79), using a bodily feedback paradigm, we manipulated postures to test causal effects on affective and physiological responses to emotionally ambiguous music. Across both studies among U.S. participants, we find the strongest support for an (...)
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  • How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music.Dana Swarbrick, Dan Bosnyak, Steven R. Livingstone, Jotthi Bansal, Susan Marsh-Rollo, Matthew H. Woolhouse & Laurel J. Trainor - 2019 - Frontiers in Psychology 9.
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  • Emotions as Overlapping Causal Networks of Emotion Components: Implications and Methodological Approaches.Jens Lange & Janis H. Zickfeld - 2021 - Emotion Review 13 (2):157-167.
    A widespread perspective describes emotions as distinct categories bridged by fuzzy boundaries, indicating that emotions are distinct and dimensional at the same time. Theoretical and methodological approaches to this perspective still need further development. We conceptualize emotions as overlapping networks of causal relationships between emotion components—networks representing distinct emotions share components with and relate to each other. To investigate this conceptualization, we introduce network analysis to emotion research and apply it to the reanalysis of a data set on multiple positive (...)
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