This article critiques Stephen Mulhall's reading of Cavell's response to skepticism. In the first half of the article, I argue that Mulhall is mistaken in two respects: he elides differences Cavell notes between external world and other minds skepticism as well as conflates empathetic projection and acknowledgment. In the second half of the article, I argue for a novel reading of Cavell's account of acknowledgment, which addresses the concerns I raise for Mulhall. The paper closes by considering and responding to (...) a worry that one's efforts at acknowledgment are more complicated projections of one's self onto the other. (shrink)

In Cavell (1994), the ability to follow and produce Austinian examples of ordinary language use is compared with the faculty of perfect pitch. Exploring this comparison, I clarify a number of central and interrelated aspects of Cavell's philosophy: (1) his way of understanding Wittgenstein's vision of language, and in particular his claim that this vision is "terrifying," (2) the import of Wittgenstein's vision for Cavell's conception of the method of ordinary language philosophy, (3) Cavell's dissatisfaction with Austin, and in particular (...) his claim that Austin is not clear about the nature and possible achievements of his own philosophical procedures, and (4) Cavell's notion that the temptation of skepticism is perennial and incurable. Cavell's reading of Wittgenstein is related to that of John McDowell. Like McDowell, Cavell takes Wittgenstein to be saying that the traditional attempt to justify our practices from an external standpoint is misguided, since such detachment involves losing sight of those conceptual and perceptual capacities in terms of which a practice is understood by its engaged participants. Unlike McDowell, however, Cavell consistently rejects the idea that philosophical clearsightedness can or should free us from that fear of groundlessness which motivates the traditional search for external justification. (shrink)

In the present essay, I aim to accentuate an analogy between the patterns of thought articulated by Berkeley's Hylas and those of Nagel in his philosophy of bats and aliens. The comparison has a critical purpose, with Philonous playing a role similar to that of Wittgenstein. I argue that Nagel's central claim comes down to statements that are marked by a peculiar form of emptiness. Towards the end, though, I will concede that this kind of Wittgensteinian criticism runs up against (...) certain limits. The fantasies produced by Hylas or Nagel have as counterparts genuine philosophical expressions of experience, which are not vulnerable to the charges levelled at their theoretical parallels. (shrink)