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  1. Tool, Collaborator, or Participant: AI and Artistic Agency.Anthony Cross - forthcoming - British Journal of Aesthetics.
    Artificial intelligence is now capable of generating sophisticated and compelling images from simple text prompts. In this paper, I focus specifically on how artists might make use of AI to create art. Most existing discourse analogizes AI to a tool or collaborator; this focuses our attention on AI’s contribution to the production of an artistically significant output. I propose an alternative approach, the exploration paradigm, which suggests that artists instead relate to AI as a participant: artists create a space for (...)
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  • Growing the image: Generative AI and the medium of gardening.Nick Young & Enrico Terrone - forthcoming - Philosophical Quarterly.
    In this paper, we argue that Midjourney—a generative AI program that transforms text prompts into images—should be understood not as an agent or a tool, but as a new type of artistic medium. We first examine the view of Midjourney as an agent, considering whether it could be seen as an artist or co-author. This perspective proves unsatisfactory, as Midjourney lacks intentionality and mental states. We then explore the notion of Midjourney as a tool, highlighting its unpredictability and the limited (...)
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  • Artifacts Without Authors: Generative Artificial Intelligence and the Question of Authorship.Nurbay Irmak - 2024 - Metaphysics 7 (1):1-15.
    Artifacts are often characterized as intentional products of human activities, suggesting that they must have authors. However, contrary to this common characterization, I argue that there exist novel examples of artifacts that lack authors. This novelty arises directly from the emergence of generative artificial intelligence applications. I provide several examples of such authorless artifacts and address potential objections to their existence.
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