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  1. From Signaling and Expression to Conversation and Fiction.Mitchell S. Green - 2019 - Grazer Philosophische Studien 96 (3):295-315.
    This essay ties together some main strands of the author’s research spanning the last quarter-century. Because of its broad scope and space limitations, he prescinds from detailed arguments and instead intuitively motivates the general points which are supported more fully in other publications to which he provides references. After an initial delineation of several distinct notions of meaning, the author considers such a notion deriving from the evolutionary biology of communication that he terms ‘organic meaning’, and places it in the (...)
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  • The expression theory again.Stephen Davies - 1986 - Theoria 52 (3):146-167.
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  • Looking angry and sounding sad: The perceptual analysis of emotional expression.Trip Glazer - 2017 - Synthese 194 (9):3619-3643.
    According to the Perceptual Analysis of Emotional Expression, behaviors express emotions by making them perceptually manifest. A smile is an expression of joy because an observer who sees a smile can see joy. A pout is an expression of grief because an observer who sees a pout can see grief. And a growl is an expression of anger because an observer who hears a growl can hear anger. The idea is not simply that expressions can enable the perception of emotion, (...)
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  • Transformativism and Expressivity in Hegel’s Philosophy of Mind.Julia Peters - 2024 - Archiv für Geschichte der Philosophie 106 (2):295-312.
    According to a major trend in Hegel scholarship, Hegel advocates a McDowell-style transformativist conception of the human mind. Central to this conception is a methodological dualism, according to which phenomena belonging to the rational mind, in contrast to those belonging to non-rational nature, must be accounted for from within the ‘space of reasons.’ In this paper I argue, by contrast, that Hegel rejects methodological dualism. For Hegel, a constitutive aspect of the rational mind is the activity of expression. I show (...)
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  • On the Virtual Expression of Emotion in Writing.Trip Glazer - 2017 - British Journal of Aesthetics 57 (2):177-194.
    Richard Wollheim claims that speech acts express emotions always in virtue of how they are said and never solely in virtue of what they say. However, it would seem to follow that we cannot express our emotions in writing, since texts preserve what we wish to say without recording how we would wish to say it. I argue that Wollheim’s thesis in fact sheds new light on how authors can and do express their emotions in writing. In short, an author (...)
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  • The Autonomy of Art.John Casey - 1972 - Royal Institute of Philosophy Lectures 6:65-87.
    In his Aesthetic Croce makes some remarks upon the subject of sincerity: Artists protest vainly: ‘Lasciva est nobis pagina, vita proba’. They are merely taxed with lying and hypocrisy. How far more prudent you were, poor women of Verona, when you founded your belief that Dante had really descended to Hell upon his blackened countenance. Yours was at any rate an historical conjecture.
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