The fact that Sufi metaphysics is usually taken to be merely the writings of Islamic philosophers, like Ibn al-'Arabi, seems to underestimate the philosophical indications of literary texts in the Sufi tradition. When Sufi literary texts are examined for philosophical content, that content is sought within and through the traditional Sufist approach. However, there appears to be a lack of correspondence between the traditional approach on the main conceptions (of God, of the universe, etc.) in Sufism and what literary texts (...) can offer regarding those, when some literary texts are to be examined in a way in which an underlying philosophical system can be extracted from them. In this article, Ipresent a brief analysis of The Conference of the Birds by Farid ud-Din Attar, one of the most significant works focusing on God and written in Sufi tradition. I suggest an alternative framework for Sufi metaphysics, which overlaps with the metaphysical connotations of The Conference of the Birds, via some Spinozistic ideas on God and on God's relationship to the rest of the universe. Since The Conference of the Birds represents a metaphysical doctrine that is apart from the traditional approach, I argue that we are not justified in thinking that Sufi metaphysics is only what Islamic philosophers have so far offered us. (shrink)

Článek se zabývá pojmem panteismus v období renesance. Ačkoli termín panteismus se objevil až na konci 17. století a později v kontextu tzv. “Pantheismusstreit”, za předchůdce moderního panteistického myšlení byl označen renesanční filosof Giordano Bruno. Následně i Mikuláš Kusánský, a to jakožto pokračovatel myšlení Mistra Eckharta, začal být považován za panteistu. Jak Kusánský, tak Bruno v určitém smyslu obhajovali imanenci božského ve světě, avšak zároveň oba zdůrazňovali rozdíl mezi Bohem a přírodou a připisovali Bohu transcendenci nebo přinejmenším transcendentální aspekty. Toto (...) není v souladu s definicí panteismu v tzv. silném slova smyslu, kdy se tvrdí striktní identita Boha a světa. Zdá se, že pojem renesanční panteismus je konstruktem, který byl vytvořen skrze násilnou aplikaci terminologie osvícenské filosofie na renesanční období. (shrink)

Recent years have witnessed a rehabilitation of early German Romanticism in philosophy, including a renewed interest in Romantic ethics. Friedrich Schlegel (1772–1829) is acknowledged as a key figure in this movement. While significant work has been done on some aspects of his thought, his views on ethics have been surprisingly overlooked. This essay aims to redress this shortcoming in the literature by examining the core themes of Schlegel’s ethics during the early phase of his career (1793–1801). I argue that Schlegel’s (...) position stands out against both the dominant Kantianism of his era, as well as against some of fellow Romantics. I show how Schlegel anticipates contemporary philosophers such as Bernard Williams, Harry Frankfurt, John McDowell, and Stanley Cavell in both his criticisms of traditional moral theory and in his attempts to develop a positive position. (shrink)