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  1. Artistry as Methodology: Aesthetic Experience and Chinese Philosophy1.Sarah Mattice - 2013 - Philosophy Compass 8 (3):199-209.
    Although aesthetics has been to some extent marginalized in western philosophy, within the Chinese philosophical tradition aesthetics plays a key role. This article explores Chinese aesthetics as a site of valuable resources for rethinking the ways in which we conceptualize philosophical activity. After introducing a few distinct features of the Chinese aesthetic tradition, the article examines aesthetic distance in terms of guan, he, and ying, Chinese conceptions of artists and participants, and aesthetic suggestiveness or the inexhaustibility of a work of (...)
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  • "Kairos": Between Cosmic Order and Human Agency: A Comparative Study of Aurelius and Confucius.Rui Zhu - 2006 - Journal of Religious Ethics 34 (1):115 - 138.
    In nontheistic moral traditions, there is a typical ethical conundrum concerning the relation between cosmic order and human agency. Within those traditions, it is generally recognized that the universe has its own order and history that are independent of human will. A moral discourse has to find space to accommodate human agency in the midst of the iron grid of cosmic law. Both Confucius and Aurelius use the concept of timeliness (kairos) to resolve the difficult issue. But their philosophies take (...)
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  • A philosophical perspective of contemporary chinese conceptual art.John Zijianc Ding - 1998 - Journal of Chinese Philosophy 26 (4):445-468.
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  • Appropriating the other and transforming consciousness into wisdom: Some philosophical reflections on chinese buddhism. [REVIEW]Vincent Shen - 2003 - Dao: A Journal of Comparative Philosophy 3 (1):43-62.
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  • A reply on behalf of the relativist to mark Mason's justification of universal ethical principles.Jim Mackenzie - 2007 - Educational Philosophy and Theory 39 (6):657–675.
    Mark Mason, in his ‘A Justification, After the Postmodern Turn, of Universal Ethical Principles and Educational Ideals’ Educational Philosophy and Theory, 37 , attempts to justify transcultural multiculturalism. In this paper I argue that he fails to refute moral relativism, and that multiculturalism as he interprets it is not morally acceptable.
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  • The place of chinese logics in comparative logics: Chinese logics revisited.Walter Benesch - 1991 - Journal of Chinese Philosophy 18 (3):309-331.
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  • Social utilitarianism in the philosophy of mo Tzu.Alice Lum - 1977 - Journal of Chinese Philosophy 4 (2):187-207.
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  • On some dimensions of the Zhongyong.Nathan Sivin - 2004 - Dao: A Journal of Comparative Philosophy 3 (2):167-172.
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  • The concept of Cheng and its western translations.Yanming An - 2004 - Dao: A Journal of Comparative Philosophy 4 (1):117-136.
    The main reasons for the difficulty in understanding and translatingcheng may be summarized as follows. First, its prehistory is not always clear. This makes it troublesome to identify its original meaning. Second, the multiple sources from the three schools, Confucianism, Daoism, and Buddhism, often causecheng to be entangled with various concepts specifically affiliated to certain schools. The particular meanings of these concepts and their connections withcheng possibly mislead our effort to explore the core content ofcheng as such. Finally,cheng has been (...)
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  • Technology from the standpoint of sunyata.Alessandro Tomasi - 2008 - Asian Philosophy 18 (3):197 – 212.
    _Keiji Nishitani's critique of technology as a dehumanizing force is objected to by showing that it is possible to establish a relationship with technology characterized by the standpoint of sunyata. In order to support my claim, I offer an interpretation of sunyata as a lived experience in which knowing and being are unified. One method used to experience the identity of knowing and being is the method of negatio negationis. I argue that technology embodies this method, and that thus has (...)
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  • The numerical mysticism of Shao Yong and Pythagoras.Zijiang Ding - 2005 - Journal of Chinese Philosophy 32 (4):615–632.
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