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Xiong Shili's Metaphysics of Virtue

In Chung-Ying Cheng & Nicholas Bunnin (eds.), Contemporary Chinese Philosophy. Malden, Mass.: Wiley-Blackwell. pp. 125–146 (2002)

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  1. Taijiquan as a Way of Life: The Philosophy of Cheng Man-ch’ing.Andrew J. Dell’Olio - 2021 - Sport, Ethics and Philosophy 16 (4):461-475.
    Cheng Man-ch’ing (1901–1975) is as responsible as anyone for the wide popularity of taijiquan in the West. While his stature as a master and teacher of taijiquan is legendary, he is less well-known as a philosopher. Yet Cheng wrote a number of philosophical commentaries on Chinese classics that shed light on his understanding of taijiquan. In this paper I propose that a consideration of Cheng’s philosophical reflections shows him to be a twentieth century Neo-Confucian who saw taijiquan as a key (...)
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  • The metaphysical background to early Confucian ethics.Tim Connolly - 2019 - Philosophy Compass 14 (12):e12637.
    What is the metaphysical background to early Confucian ethics? Is there a distinctive picture of reality that informs texts such as the Analects, Mencius, and Xunzi? Contemporary interpreters disagree on the answer to these questions, a division reflected not just in scholarly debates but in how early Confucian texts are introduced to larger audiences. This article will begin with a discussion of some general methodological issues involved in applying the term “metaphysics” to classical Chinese thought, and then examine a couple (...)
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  • The Politics of Writing Chinese Philosophy: X iong Shili’s New Treatise on the Uniqueness of Consciousness and the “Crystallization of Oriental Philosophy”.Philippe Major - 2019 - Dao: A Journal of Comparative Philosophy 18 (2):241-258.
    This article situates Xiong Shili’s 熊十力 classic work New Treatise on the Uniqueness of Consciousness within the central dilemma of post-May Fourth China surrounding the concerns with so-called modern universalism and Chinese particularism. I look at the way the text portrays its author as situated both within particular traditions and outside of them in order to show how the figure of the author is presented as a site wherein Chinese/Asian particularism and universalism can be fused. My central aim, in doing (...)
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