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Machiavelli's Sisters

Political Theory 19 (2):252-276 (1991)

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  1. Rethinking the Personal and the Political: Feminist Activism and Civic Engagement.Theresa Man Ling Lee - 2007 - Hypatia 22 (4):163-179.
    The slogan “the personal is political” captures the distinctive challenge to the public-private divide posed by contemporary feminists. As such, feminist activism is not necessarily congruent with civic engagement, which is predicated on the paradoxical need to both bridge and sustain the public-private divide. Lee argues that rather than subverting the divide, the politics of the personal offers an alternative understanding of civic engagement that aims to reinstate individuals’ dignity and agency.
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  • (1 other version)Another Antigone: The Emergence of the Female Political Actor in Euripides' "Phoenician Women".Arlene W. Saxonhouse - 2005 - Political Theory 33 (4):472-494.
    The Phoenician Women, Euripides' peculiar retelling and refashioning of the Theban myth, offers a portrait of Antigone before she becomes the actor we mostly know today from Sophocles' play. In this under-studied Greek tragedy, Euripides portrays the political and epistemological dissolution that allows for Antigone 's appearance in public. Whereas Sophocles' Antigone appears on stage ready to confront Creon with her appeal to the universal unwritten laws of the gods and later dissolves into the female lamenting a lost womanhood, Euripides' (...)
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  • (1 other version)Another Antigone.Arlene W. Saxonhouse - 2005 - Political Theory 33 (4):472-494.
    The Phoenician Women, Euripides’ peculiar retelling and refashioning of the Theban myth, offers a portrait of Antigone before she becomes the actor we mostly know today from Sophocles’ play. In this under-studied Greek tragedy, Euripides portrays the political and epistemological dissolution that allows for Antigone’s appearance in public. Whereas Sophocles’ Antigone appears on stage ready to confront Creon with her appeal to the universal unwritten laws of the gods and later dissolves into the female lamenting a lost womanhood, Euripides’ Antigone (...)
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