In Mehmet Ali İçbay, Hasan Arslan & Francesco Sidoti (eds.),
Research on Cultural Studies. Peter Lang Gmbh, Internationaler Verlag der Wissenschaften (
2016)
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Abstract
After the collapse of the totalitarian regimes, participation into public matters has been an objective of democratic theory. Judging by a variety of instances from the sixties to today, it can be said that finding new means for encouraging audiences to participate in their works has become the major concern for contemporary art as well. Therefore, we can say that the problem of participation is the focal point of art and politics.