Abstract
Politics is a vital aspect of every society. This is due to the fact that the general development of
any country is first measured by its level of political development. Good political condition in a
nation is a sine qua non to economic growth. A corrupt and unstable political system in any
country would have a domino-effect on the country's economic outlook and social lives of the
people. The concept of politics itself continued to be interpreted by many political scholars,
critics and the masses from different perspectives. Corruption, political assassination, greed,
perpetrated not only by politicians but also by the masses are the societal ills that continue to
militate against socio-economic and political development in most African countries, particularly
Nigeria. Peaceful political transition to the opposition party in Nigeria in recent times has given a
different dimension to the country’s political position for other countries in the region to emulate.
This paper addresses the concept of politics and presents corruption in Nigerian society from the
point of theatre, using Osita Ezenwanebe’s Giddy Festival. The investigation is grounded in
sociological theory and the concept of political realism. This paper recommends that politics can
be violent-free if all the actors in the game develop selfless qualities of leadership for the benefit
of the ruled.