Abstract

The book the reader is holding in his/her hands present the life and work of painter Tibor András focusing on his works made during the II. World War and the 1956 Hungarian revolution. His paintings and drawings would be hard to comprehend without outlining the context of his personal life and the historic events he got entangled in. This is why this book has three parts not counting the appendix. The first part presents the revolution as a visual reality of the historical course of events; the second compares the drawings and paintings to themselves and to other contemporary works; and the final part showcases personal recollections. These three presentations were written by different authors. Beside the logical coherence we didn’t mean to harmonize these approaches stylistically or otherwise. Rather we thought that different views and different aspects better highlight and emphasize the personal qualities that are very important considering the characteristics of Tibor András’ artistic activity that extended to half of a century. Tibor András had significantly changed his subject matters, style and technique of applied graphics and paintings several times during his career. It’s hard to separate his artistic periods since he often went back to a work that seemed finished or to a style he used to paint. “A painter can just simply finish a painting; he/she must stop working on it.” - was his motto and he either was right or not that approach was the leading guide through his career and in spite of the flaws in his oeuvre his style is clearly visible behind every change.