Abstract

Creativity is a notoriously evasive concept, and it is used to cover a lot of different phenomena. Different methods and a wide variety of angles have been used in the striving for a clear-cut conception. The focus has been on alternatively the personality of creative people, their childhood, the conditions that a society must fulfil to support a creative atmosphere, works of art contra the discoveries of science, changes in pedagogy to give rise to or improve creativity, computer models, intuition, and so on. Consequently, the resulting picture of creativity varies substantially depending on the goal of the inquiry as well as on the constraints that are set from the start, not only by the scope of the investigation, but also by the discipline that the investigator belongs to and the method that is used.