Abstract

This study critically reviews four decades of academic research on the Shroud of Turin, a highly debated archaeological artifact. Employing advanced epistemological methods such as argument mapping and Bayesian analysis, the study systematically evaluates the two leading hypotheses: the medieval creation of the Shroud and its authenticity as the burial cloth of Jesus of Nazareth. This examination suggests a warrant for the proponents’ belief in the authenticity hypothesis. It highlights the vitality and complexity of the controversy surrounding the dating and image formation process of the Shroud of Turin.