Abstract

Edgar A. Singer Jr. is largely forgotten. Yet in the early twentieth century he was one of the most persistent proponents for a theory of "mind as behavior." This essay explores Singer's theory of mind as a form of experimentally-definable behavior. This interpretation of mind is derived from Singer's "philosophy of experiment," which delimits the forms of questions that can have meaningful answers. Valid questions, according to Singer's theory, must appeal to phenomena that are public in some sense and which have verifiable effects on our "mechanical images" of nature (which is not to say that such phenomena are themselves solely mechanical). From this perspective, Singer is able to give behavioral criteria for attributing "mind" to organisms and for such "mental faculties" as purpose, sensation, consciousness, and thought. It might be wondered how Singer's experimental concept of mind compares with B. F. Skinner's better-known concept of private events. Although there are difficulties involved in the interpretation of each, it would seem that Singer and Skinner are largely in agreement, although they emphasize different factors in the behavioral interpretation of mind.