Abstract

Arendt is a philosopher despite herself, and this paper uses the resources of her <<The Life of the Mind>> to develop her comparison of thinking as a 'departure' from the world with the fore-doomed attempt by Orpheus to bring from underground into the light of day. The paper investigates how thinking, though we 'lose' it in the speech and writing that makes it public, still can have the delicate power that Arendt attributes to it.