Mundrys Nuancen

In Heike Hoffmann (ed.), Salzburg Biennale 2015. Salzburg Biennale. pp. 62-64 (2015)
  Copy   BIBTEX


The production of artworks can be based on a fixed modus operandi, i.e., on a general manner and, alongside, specific patterns to be applied all over again. Alternatively, each artwork can be seen as (cor-)responding to an individual problem for which there is no recipe; in this case it needs to be looked at afresh. That approach characterizes the aesthetics of music composer Isabel Mundry (*1963); her art, ever unpredictable, is one of nuances.

Author's Profile

Andreas Dorschel
Goethe University Frankfurt


Added to PP

783 (#12,245)

6 months
45 (#45,548)

Historical graph of downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.
How can I increase my downloads?