Totengespräch zwischen Franz Joseph Haydn aus Rohrau und Anton Friedrich Wilhelm von Webern aus Wien in der musikalischen Unterwelt

In Andreas Dorschel & Federico Celestini (eds.), Arbeit am Kanon: Ästhetische Studien zur Musik von Haydn bis Webern. Universal Edition. pp. 9-15 (2010)
Download Edit this record How to cite View on PhilPapers
Abstract
In the spirit of Fontenelle's "Dialogues des morts", Dorschel stages an imaginary conversation between 18th century composer Joseph Haydn and 20th century composer Anton von Webern. In the section of Hades reserved for composers, they confront their different musical poetics.
Categories
(categorize this paper)
PhilPapers/Archive ID
DORTZF
Upload history
Archival date: 2014-12-22
View other versions
Added to PP index
2014-12-22

Total views
221 ( #21,691 of 53,527 )

Recent downloads (6 months)
26 ( #25,424 of 53,527 )

How can I increase my downloads?

Downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.