Dos olhos e das mãos: arte e "deixar ser" em Heidegger e Derrida

Escola de Belas Artes - UFRJ 1 (2012)
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Abstract

This paper proposes a reading of Jacques Derrida's "Memories of the Blind" as opposed to Heidegger's attempt, in "The Origin of the Work of Art", to break with the metaphysical paradigm of "seeing" through an insistence on the idea of Truth.

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Paulo Cesar Duque-Estrada
Pontifícia Universidade Católica do Rio de Janeiro

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