Why can’t I change Bruckner’s Eighth Symphony?

Philosophical Studies:1-20 (forthcoming)
Download Edit this record How to cite View on PhilPapers
Abstract
Musical works change. Bruckner revised his Eighth Symphony. Ella Fitzgerald and many other artists have made it acceptable to sing the jazz standard “All the Things You Are” without its original verse. If we accept that musical works genuinely change in these ways, a puzzle arises: why can’t I change Bruckner’s Eighth Symphony? More generally, why are some individuals in a privileged position when it comes to changing musical works and other artifacts, such as novels, films, and games? I give a view of musical works that helps to answer these questions. Musical works, on this view, are created abstract objects with no parts. The paradigmatic changes that musical works undergo are socially determined normative changes in how they should be performed. Due to contingent social practices, Bruckner, but not I, can change how his symphony should be performed. Were social practices radically different, I would be able to change his symphony. This view extends to abstract artifacts beyond music, including novels, films, words, games, and corporations.
PhilPapers/Archive ID
FRIWCI
Revision history
Archival date: 2018-11-18
View upload history
References found in this work BETA
The Statue and the Clay.Thomson, Judith Jarvis
Simples.Markosian, Ned
On Words.Hawthorne, John & Lepore, Ernest
Words.Kaplan, David

View all 54 references / Add more references

Citations of this work BETA

No citations found.

Add more citations

Added to PP index
2018-11-18

Total downloads
66 ( #25,666 of 37,192 )

Recent downloads (6 months)
66 ( #5,168 of 37,192 )

How can I increase my downloads?

Monthly downloads since first upload
This graph includes both downloads from PhilArchive and clicks to external links.