Restating The Case For Representation In The Philosophy Of Opera

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Abstract
Opera dilettantes will forever argue over the relative importance of words and music in the creation and performance of their beloved art form. For philosophers brave enough to enter the fray, the issue raises a number of interesting ontological and phenomenological questions. In what does the work of opera primarily exist? What is distinctive of opera as a mode of dramatic presentation?
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Archival date: 2019-05-15
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2019-05-15

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