Abstract

The article aims to critically analyze the conventional tripartite division within Nietzsche’s philosophy that is expressed hyperbolically in the form of personification: the young Nietzsche of the Wagnerian phase, the “positivist” or “enlightened” Nietzsche, and the mature Nietzsche. I aim to contribute to the plea for continuity, paying special attention to a variety of texts in which he acknowledges the continuity of his intellectual development as a coherent unit. This significant retrospection does not indicate rupture or rejection but recognition of a single path. The last section is dedicated to the particular book that is Ecce Homo, understood as a self-presentation strategy.