Abstract

“I’ve never known what likeness consists of in a portrait,” Berger writes. “One can see whether it’s there or not, but it remains a mystery.” This essay reflects on some of Berger’s crucial writings on drawing, and particularly on the phenomenon of resemblance: how a drawing can become inhabited by someone, but also how easily that presence can vanish. In turn, it explores the relationship between the world and the page (and the relationship of the self to both) that the process of drawing reveals, as well as Berger’s vision of “drawing in defiance of disappearance.” Finally, it reflects more generally on Berger’s exalting vision of human capacity.