In Advance of the Broken Theory: Philosophy and Contemporary Art

Journal of Aesthetics and Art Criticism 75 (4):375-386 (2017)
  Copy   BIBTEX

Abstract

We discuss how analysis of contemporary artworks has shaped philosophical theories about the concept of art, the ontology of art, and artistic media. The rapid expansion, during the contemporary period, of the kinds of things that can count as artworks has prompted a shift toward procedural definitions, which focus on how artworks are selected, and away from definitions that focus exclusively on artworks’ features or effects. Some contemporary artworks challenge the traditional art–ontological dichotomy between physical particulars and repeatable entities whose occurrences are physical particulars. And nontraditional techniques and materials employed in contemporary art violate the boundaries of conventional media, prompting a rethinking of what artistic medium might be.

Author Profiles

Sherri Irvin
University of Oklahoma
Julian Dodd
University of Leeds

Analytics

Added to PP
2017-11-07

Downloads
461 (#33,053)

6 months
206 (#10,658)

Historical graph of downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.
How can I increase my downloads?